http://blog.gmane.org/gmane.music.idm hourly 1 1901-01-01T00:00+00:00 http://gmane.org/img/gmane-25t.png http://gmane.org http://comments.gmane.org/gmane.music.idm/47292 <pre>In this Pinterest board we compile mixes available online made by our most dear collaborators and friends (Mark Fell, EVOL, Lucrecia Dalt, Felix Kubin, Jon Leidecker, etc....): http://pinterest.com/radiowebmacba/r%C3%A0dio-web-macba-friends-in-the-mix/ Enjoy! </pre> Radio Web MACBA 2013-05-18T07:50:18 http://comments.gmane.org/gmane.music.idm/47291 <pre>http://www.dnb-sets.de/?set=157314 Clint Anderson Systems Engineer </pre> Clint Anderson 2013-05-15T16:25:08 http://comments.gmane.org/gmane.music.idm/47290 <pre>Not sure if it is an older unreleased track or a new song, but a forthcoming compilation on Minus out later this month (apparently all unreleased material) has a Theorem track on it called Formulate. Soundin' good. Hopefully this means more Theorem music to come. Andrew </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-15T15:34:02 http://comments.gmane.org/gmane.music.idm/47288 <pre>*Yasunao Tone &lt; at &gt; Ràdio Web MACBA* http://rwm.macba.cat/en/tag-yasunao-tone Yasunao Tone (Tokyo, 1935) is a Japanese interdisciplinary artist. He graduated from Chiba Japanese National University in 1957, majoring in Japanese literature. He became active in the Fluxus movement in the sixties and moved to the United States in 1972. He organised and participated in many experimental music and performance groups such as Group Ongaku, Hi-Red Center and Team Random (the first computer art group in Japan). His unconventional musical work brings together certain forms of traditional Eastern culture and post-structuralist theories, and since the mid to late nineties has become a notable influence on new generations of sound artists worldwide. He lives and works in New York. *RWM shows and features with Yasunao Tone *1) *Essay: Quadern d'àudio #1. BLACKOUT. Representation, transformation and de-control in the sound work of Yasunao Tone. Written by Roc Jiménez de Cisneros* An introduction to the work and methodolo</pre> Radio Web MACBA 2013-05-14T08:57:17 http://comments.gmane.org/gmane.music.idm/47284 <pre>hello! here is a sampler of my new LP that will come out in a few weeks... https://soundcloud.com/pertin-nce/pertin-49-bleupulp-a-few 11 tracks, featuring a remix by hemiptera... kinda sounds like deep, dubby,  techno, moody &amp; experimental... i am willing to give promo copies to relevent people. peace out! max   net label : pertin-nce.ca me : soundcloud.com/bleupulp</pre> max tanguay 2013-05-13T17:35:45 http://comments.gmane.org/gmane.music.idm/47283 <pre>http://music.cornwarning.com/2013/05/12/2013-05-11-krui-noise-radio/ http://www.cornwarning.com/chaircrusher/Chaircrusher-NoiseRadio-2013-05-11.mp3 Codebase - Falling Bricks Microlife - Le Printemps X09 - Nuclear Lush - Sweetness &amp; Light Phaeleh - For You MS MR - Hurricane (CHVRCHES remix) Codebase - Black Mondial Andy Vaz - Detroit In Me (Patrice Scott Remix) Hapbt - Wumpus8 Librah - Gravity Rrose - Wedge of Chastity Fielded - Arms of Heaven Librah - My Love Is 4Ever Ron Trent - Pressure Zone x09 - Statika Garage $ale - Bump and Grind (Waze &amp; Oddysey Remix) Andy Vaz - Stubnitz (Memory Foundation Remix) Arthur Oskan - Maximilian Adam Marshall - Chaos Shawn Rudiman - XK7 Dustoff Kataconda - Leaf One Bleupulp - London (Hemptera Mix) Kataconda - Leaf Two The Translator - Prime Time Chords Shawn Rudiman - One More Sometimes Mount Kimbie - Made To Stray Bleupulp - A Few Stories Shawn Rudiman - When To Let Go Bleupulp - The End Is Near Chaircrusher - Le Printemps Du Chien Lerosa - Slavery X09 - Arc Martyn - Ocean</pre> kent williams 2013-05-13T16:02:14 http://comments.gmane.org/gmane.music.idm/47282 <pre>Andrew Duke In The Mix #2707 (w/ Dan Sicko interview #RIP) Hour One: 01 X-101--Sonic Destroyer; Rave New World/Sonic Destroyer (Underground Resistance UR 13.5) __ Esteban Adame ID (Ican Productions, Underground Quality, Motech) 02 Juan Atkins--Techno Music; Techno: The New Dance Sound Of Detroit compilation (Virgin) 03 Kevin Saunderson--Pump The Move (Samuel L Session remix); History Elevate 2 (Planet E PE65295) 04 Kevin Saunderson--Rock To The Beat (Ben Sims remix); History Elevate (KMS) 05 K-Hand--Dusty (Andrew Duke remix) (Gorsch) 06 Juan Atkins &amp; Moritz Von Oswald--Treehouse; Borderland (Tresor 262) 07 Inner City--Future (Carl Craig's C2 edit); Future (Defected) 08 Carl Craig's Paperclip People--Remake (Basic Channel's Basic Reshape) (Basic Channel BCD-2) 09 Jeff Mills--Breaking Through The Inner Wall; Fantastic Voyage (Axis CD044) __ FBK ID (Absoloop, Diametric, Frictional) 10 Andrew Duke--Geisha (Terrence Dixon remix); Geisha (Nice &amp; Nasty NANO96) 11 Fix (Orlando Voorn)--Juice; Dr Technofunkenstein (N</pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-13T13:14:20 http://comments.gmane.org/gmane.music.idm/47281 <pre>*Jonny Trunk &lt; at &gt; Ràdio Web MACBA* http://rwm.macba.cat/en/jonny_trunk_tag Jonny Trunk collecting records around 1982, but rather than focusing on traditional record stores, he chose to comb second hand outlets and street markets. It didn't take long for him to realise that his obsession was not pop music or modern sounds, but film soundtracks and television music. He founded the label Trunk Records in 1995, and it soon gained a cult following as a result of its specialisation in unpublished jazz recordings and film and television soundtracks. Trunk Records was the first label to feature non-commercial library music, a genre that Trunk has written about extensively. Trunk hosts a radio programme at London radio station Resonance FM, and he regularly DJs around the world. His record collection now consists of around six thousand LPs. *RWM shows and features with Jonny Trunk* *MEMORABILIA. COLLECTING SOUNDS WITH... Jonny Trunk. Part I * Jonny Trunk walks us through a hard-to-find and yet very familiar genre: </pre> Radio Web MACBA 2013-05-11T07:53:27 http://comments.gmane.org/gmane.music.idm/47277 <pre>The International SuperCollider Symposium is in Boulder, Colorado in a couple of weeks. There are four concerts, the last of which is a "club night" that will, perhaps, be not completely dissimilar to what the algorave folks are doing in London. I'll be performing as Shalmaneser. http://supercollider2013.com/shows.php </pre> Tim Walters 2013-05-08T20:01:31 http://comments.gmane.org/gmane.music.idm/47274 <pre>Long time lurker of the IDM list. Just wanted to say that this track has been a major earworm for the past week or two https://www.youtube.com/watch?v=OhAD8FuopuA </pre> Connor Higgins 2013-05-08T17:29:10 http://comments.gmane.org/gmane.music.idm/47273 <pre>*New podcast: PROBES #3.2. Auxiliaries, a music selection by Chris Cutler * Link: http://rwm.macba.cat/en/curatorial/probes3-2_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130506/Probes3_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-called serious over so-called popular genres. This music selection continues to explore probes into pitch, this time through its effective obliteration through ceaseless movement, sliding tones, and radical portamenti which defy all quantization. Previous episodes: http://rwm.macba.cat/en/probes_tag </pre> Radio Web MACBA 2013-05-08T17:06:49 http://comments.gmane.org/gmane.music.idm/47272 <pre>never heard of these peepz before today, thanks Pandora http://www.youtube.com/watch?v=eYoTp9T2bg4 really liked the track even tho its not my thing at all very pop/sneaker pimps/garbage type thing but great Clint Anderson Systems Engineer </pre> Clint Anderson 2013-05-08T15:27:05 http://comments.gmane.org/gmane.music.idm/47270 <pre>*Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin In the late 1970s, the German music scene was shaken up by a virtual explosion of new bands that sounded radically different to anything that had come before. They played music that was experimental, playful, absurd, minimalist and astute, with lyrics that were sung – or more commonly screamed – exclusively in German. Appalled rather than enthralled by this new expressionism, the record industry initially showed no interest in these groups, so new platforms had to be set up in order to spread the virus. Small companies like ZickZack and Ata Tak started to release records by these young artists who were springing up like mushrooms. The independent record label was born. The spirit of this new movement – later branded Neue Deutsche Welle – emerged from a collision between the self-confident attitude of punk, the legacy of Germany's electronic avant-garde and a belief in the im</pre> Radio Web MACBA 2013-05-08T11:07:00 http://comments.gmane.org/gmane.music.idm/47265 <pre>ALGORAVE http://algorave.com/ What: Dancing to algorithms When: Thursday 16th May 2013, 7-11:30pm Where: MS Stubnitz, moored off Montgomery Street, Canary Wharf tube, London E14 9SB http://ms.stubnitz.com/ Tax: £9 advance from http://www.wegottickets.com/event/220974 (or more on the door) We're back with an algorave on-board the MS Stubnitz for the 16th May 2013, your last chance to dance to repetitive conditionals onboard the art ship (and feel their world famous soundsystem) in London for a while, as they set sail for France the very next day. Acts confirmed so far: Cursor Miner, Ardisson, Alo Allik, Alexandra Cárdenas, Martin Klang, Meta-eX, Shelly and some Mandelbrots.. Plus algorave residents Slub and Sick Lincoln. We're strictly limited on capacity, and might not have any tickets on the door - please check the website before travelling or get your tickets in advance from here: http://www.wegottickets.com/event/220974 Full info appearing here: http://algorave.com/stubnitz</pre> Alex McLean 2013-05-07T22:39:17 http://comments.gmane.org/gmane.music.idm/47250 <pre>Good ole RK biting my style again: http://www.cornwarning.com/chaircrusher/Chaircrusher-Bsninski.mp3 But seriously the preview sounds great. https://soundcloud.com/tigerbeat6/sets/meow197-nibbana003-rjyan By the way, William Basinski played here last month as part of the Mission Creek Festival. He was an interesting guy, he hung out drinking beer the night before, chatting with all &amp; sundry. He has has a high pitched, school-girlish giggle when he's amused. Who knew? </pre> kent williams 2013-05-06T20:31:48 http://comments.gmane.org/gmane.music.idm/47234 <pre>i don't know about YOU but i am excited as hell to get the new BoC album srsly anyone hating on it is just jealous :) it's going to be fucking awesome </pre> Clint Anderson 2013-05-06T19:05:36 http://comments.gmane.org/gmane.music.idm/47233 <pre>Theo Burt is a UK-based artist working with sound, video and light. His work draws on interests in perceptual relationships between sound and image and aesthetic applications of technology. Burt’s recent projects have focused on the use of related sound and video to create a transparency of process, and the effect of partial-predictability on perceptions of time. His work includes installations, live performances and fixed-media pieces. Theo Burt talks about perceptual processes, visual music and intermedia art. Link: http://bit.ly/qJxr6O MP3: http://bit.ly/qf6Rpg Follow us at http://twitter.com/Radio_Web_MACBA </pre> Radio Web MACBA 2013-05-06T14:42:25 http://comments.gmane.org/gmane.music.idm/47225 <pre>Andrew Duke In The Mix #2706 (includes Hailey Sphynx guest DJ mix) DL/stream here: http://andrewdukeinthemix.com Hour One: __ Rick Wade ID (Harmonie Park, Rush Hour, Yore) 01 DJ Jus-Ed--No More Pain ft June April; No More Pain (Underground Quality UQ-028) 02 Andrew Duke--Giuseppe's Groove (Anton Zap remix); Giuseppe's Groove (unreleased) 03 Alison Marks--My Heart (Re-created by Dubbyman); Re-Create Part 1 (Bumako BU-M019) 04 Jenifa Mayanja--Heading Into Tomorrow; split with Dakini9 (Sound Warrior SW001) 05 $tinkworx--MKB; split with Kinoeye (WT Records WT001) 06 Harmonious Thelonious--The Grasshopper Was The Witness (Elmore Judd &amp; Rowan Park rx); The Malag (Meakusma MEA010) 07 Kirk Degiorgio--Babilonia (Rick Wilhite remix); Kirk Degiorgio presents Sambatek (Far Our Recordings JD26) 08 youAND:THEMACHINES--Perception ft Brothers Vibe; Behind (Ornaments Music ORN027) 09 Juan Atkins &amp; Moritz Von Oswald--Electric Dub; Borderland (Tresor 262) 10 Scan 7--In &amp; Out Of The Groove ft Blaktony; The Resistance (Tresor </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-06T12:05:48 http://comments.gmane.org/gmane.music.idm/47224 <pre>*Grupo de lectura: Nuevas aproximaciones al tiempo en la música experimental, conducido por Roc Jiménez de Cisneros, Lluís Nacenta y Anna Ramos * Los lunes 27 de mayo y 3, 10 y 17 de junio de 2013 de 18.30 a 20.30 h. Auditorio MACBA. Entrada gratuita. Plazas limitadas. Información: http://www.macba.cat/es/grupo-de-lectura-nuevas-aproximaciones Inscripción: http://entrades.macba.cat:8080/Muslink_jsp/control_acces.jsp?IDIOMA=1&amp;NOM_CACHE=macba&amp;IDENTIFICADOR=MUSEU&amp;TIPUS_OPER=VC La música es una alteración del tiempo. Toda experiencia musical viene determinada por dos ejes temporales confluyentes: la escucha y el recuerdo, el presente y el pasado. En este grupo de lectura partiremos de un texto, una audición y una conversación con un artista, y observaremos casos paradigmáticos en los que la música, entendida como arte del tiempo, tensiona los conceptos de percepción, escala, memoria colectiva o subjetividad. Partiendo de estos ejemplos, y en base a los modelos temporales propuestos por la filosof</pre> Radio Web MACBA 2013-05-06T11:58:35 http://comments.gmane.org/gmane.music.idm/47214 <pre>http://www.15questions.net/interview/fifteen-questions-uwe-schmidt-aka-atomtm/page-1/ "The new reality is that electronic sound, unlike any other sound, because it is being shaped and most importantly amplified through electricity, transcends into the realm of physics, that is, pure energy. A composition could be a combination and configuration of specific sine waves and it would still be music, yet at the same time, just pure sound. Instead of seeing it as a problem to be solved, that sound, in most traditional opinions, is not considered music, I say that we are standing at the beginning of an era where the traditional understanding of music will transform into something bigger. Sound is not a disadvantage, that one needs to cover up and camouflage by using fancy chord progressions and pretty melodies, so it would be accepted as music, but rather, sound will ultimately replace the limited language of musical notes and transform music into a physical and ultimately spiritual experience for everybody who </pre> Esa Ruoho 2013-05-05T16:08:02 http://comments.gmane.org/gmane.music.idm/47201 <pre>Hi people I've been releasing music by Pinch, Boxcutter and DJ Earl (he's one of the most talented among those at Ghettoteknitianz/Teklife) in the last two years, maybe you can find it nice www.lilpitch.com I'd speak of a "bass continuum" rather than Simon Reynold's "hardcore continuum"---&gt; Check Paul Gilroy's "Black Atlantic" theory out so yes... dubstep has pollinated even techno and experimental electronica (Mike Stott's "Luxury Problems"; Demdike Stare; Emptyset) but apart from Hyperdub and Planet Mu I don't see innovators and the only genre that made my jaw drop a little bit is footwork (again, check Paul Gilroy's thoughts out) Warp, Brainfeeder... even Ninja Tune have become something fashionable who sounds new? Holy Other? Same as Burial but slower. Blawan? Tsk. Really? Shlohmo/Teebs/Lapalux and all those Brainfeeder stuff? Just the same beats over and over. Everywhere you read about music, reviewers write of this retro-futuristic feel. Kuedo, Machinedrum... beautiful albums..</pre> Paolo Rossi 2013-05-04T20:37:11 Search the mailing list at Gmane query http://search.gmane.org/?group=$group=gmane.music.idm