http://blog.gmane.org/gmane.music.idm hourly 1 1901-01-01T00:00+00:00 http://gmane.org/img/gmane-25t.png http://gmane.org http://comments.gmane.org/gmane.music.idm/47293 <pre>Andrew Duke In The Mix #2700 available to download or stream: https://soundcloud.com/andrewdukecognitionaudio/sets/andrew-duke-in-the-mix * __Sean Deason ID (Matrix, aDepth, Distance) * 01 Jorge C.--Golpe (Matrix) * 02 Redshape--2010; 2010 (Delsin 78DSR-RDS4) * 03 Valerio Dephi--The River; The River/Suzuka (Final Frontier FF004) * 04 Touane--Together; Primaveral Part 6 comp (Auralism ARLSMD018) * 05 T. Linder ft Blak Tony--Respect (Acapella); DTM003 (Detroit Techno Militia DTM003) * 06 Itokim--Motechnique1 (unreleased) * 07 Matt Chester--Col D'Aubisque; Die For A Reason (11th Hour EHR007) * 08 Alex Smoke--Shingles; EP Of Infinite Affliction (Hum+Haw) * 09 Hrdvsion--The Mohana; The Mohana (Wagon Repair WAG051) * 10 Andrew Duke--Walk Softly; Walk Softly (Mischievous Musique MISCHIE015) * 11 Galaxy Group ft Capitol A--Out Of Control (Asad Rizvi remix) (Loveslap SLAP050) * 12 Snuff Crew--Feel Inside; Feel Inside (Hour House Is Your Rush HHYR3) * 13 Permanent Vacation ft Kathy Diamond--Tic Toc (Permanent Vacation PERMVAC040) * 14 Daniel Wang--Dancing With The Best; The Balihu Years (Rush Hour RH108-12) * 15 Partial Holder--Keep On; French Connection (Sud Up004) * 16 Adultnapper--Kindt; While He Sleeps (Simple0940) * 17 Jota Wagner--Acid Resolution (Q-Burns Abstract Message remix) (Lunatic Jazz LJ012) * 18 Newworldaquarium--Trespassers (541 Dub) (Delsin APE-02) * 19 Hector--Got Fringe; Got Fringe (Mobilee052) * 20 Chris Fortier--That Being Said (Tundra's Seismic Speech dub) (Manual MAN023) * 21 Marco &amp; Orpheo--Mach 4; Mach 4 (Hand Of God HOG1) * 20 Varoslav ft dOP--I Love Us (David K remix) (Dirt034) * 21 One Of Them--Niko It's A Bad Dream (Tim Cook's Narcoleptic dub); 11:11&lt;x-apple-data-detectors://1&gt; EP2 (Fade FD062) * 22 Brett Johnson &amp; Dave Barker--Temptation &amp; Lies (Deadbeat &amp; Mike Shannon's remix) (Cynosure CYN035) * 23 Silicone Soul--Hurt People Hurt People; Silicone Soul (Soma) * 24 Roland Appel--No Memory; No Memory (Night Moves MOVE3) * 25 Gus Gus--Add This Song (Lopazz &amp; Zarook remix) (Kompakt KOM196) * 26 Mastra--Flying Ornaments; Parasol (Kaato 012) * 27 Agent Automatic--The Fool (Joel Brittain's Undo Me mix) (Fortified FRD012) * 28 Chicago Skyway--Heaven (Aroy Dee's edit) (MOS DEEP_0001) * 29 Echonomist--Smoker's Delight; One Day You Will Dance For Me Kingston comp (VIMCities 0002) * 30 Biepang--Again As Phantoms (Pts I &amp; II); Bypass The Body (Open Concept OCR-019) * 31 Sonotheque--Smell Good (Arthur Oskan remix) (Thoughtless TLM024) * 32 5treetcleaner--Auto Industry Bailout; Clean Up The 5treet (Diplomatik DPLDIG007) * 33 Gorge--Ayomide (Plastic City Plax078) * 34 Myles Serge--Looking for MoJo; Transitional Man (6ONE6) * 35 Tim Susa--I Wish (Stefan Tretau remix); Desire &amp; Regress (Broque52) * 36 Ercolino--Girls In A Tube (Part 1); Girls In A Tube (Meerestief025) * 37 Donato Dozzy &amp; Cio D'or--Menta (Peter Van Hoesen remix); Menta (Time To Express T2X07) * 38 Remute--The Jar (Quenem remix) (Buy You Sell Me008) * 39 Marc Houle--Licking Skin; Licking Skin (Minus78) * 40 Felizol--Floating Down This River; Treehouse (Persona PRS-045) * 41 Birdcage--Metamorphosis; Untitled 05 (Untitled &amp; After UA05) * 42 Gabriel Ferreira--2 Takes; A Buenos Aires (Piso) * 43 Johannes Volk--Conquest; Hidden Starfields (Radiance RDNC21) * 44 Rayuela--Sarabande (Kalamari DKLL30) * 45 Mr. Statik--Poops, I Did I Again (Memo009) * 46 Sean Palm--Silent Storm; Days On End (Railyard) * 47 Planetary Assault Systems--X Speaks To X; Temporary Suspension (Ostgut Ton) * __ Oz Romita ID (Omnis, Repressure, Voch) https://soundcloud.com/andrewdukecognitionaudio/sets/andrew-duke-in-the-mix </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-18T13:58:34 http://comments.gmane.org/gmane.music.idm/47292 <pre>In this Pinterest board we compile mixes available online made by our most dear collaborators and friends (Mark Fell, EVOL, Lucrecia Dalt, Felix Kubin, Jon Leidecker, etc....): http://pinterest.com/radiowebmacba/r%C3%A0dio-web-macba-friends-in-the-mix/ Enjoy! </pre> Radio Web MACBA 2013-05-18T07:50:18 http://comments.gmane.org/gmane.music.idm/47291 <pre>http://www.dnb-sets.de/?set=157314 Clint Anderson Systems Engineer </pre> Clint Anderson 2013-05-15T16:25:08 http://comments.gmane.org/gmane.music.idm/47290 <pre>Not sure if it is an older unreleased track or a new song, but a forthcoming compilation on Minus out later this month (apparently all unreleased material) has a Theorem track on it called Formulate. Soundin' good. Hopefully this means more Theorem music to come. Andrew </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-15T15:34:02 http://comments.gmane.org/gmane.music.idm/47288 <pre>*Yasunao Tone &lt; at &gt; Ràdio Web MACBA* http://rwm.macba.cat/en/tag-yasunao-tone Yasunao Tone (Tokyo, 1935) is a Japanese interdisciplinary artist. He graduated from Chiba Japanese National University in 1957, majoring in Japanese literature. He became active in the Fluxus movement in the sixties and moved to the United States in 1972. He organised and participated in many experimental music and performance groups such as Group Ongaku, Hi-Red Center and Team Random (the first computer art group in Japan). His unconventional musical work brings together certain forms of traditional Eastern culture and post-structuralist theories, and since the mid to late nineties has become a notable influence on new generations of sound artists worldwide. He lives and works in New York. *RWM shows and features with Yasunao Tone *1) *Essay: Quadern d'àudio #1. BLACKOUT. Representation, transformation and de-control in the sound work of Yasunao Tone. Written by Roc Jiménez de Cisneros* An introduction to the work and methodology of Japanese artist Yasunao Tone. The essay is based upon several conversations with the artist and some of his collaborators. Link: http://rwm.macba.cat/en/quaderns-audio/qa_yasunao_tone/capsula PDF: http://rwm.macba.cat/uploads/qa/QA_01/QA_01.pdf 2) *Podcast: LINES OF SIGHT #7. Radio Incarné. Yasunao Tone and Tetsuo Kogawa* Collaboration by philosopher and pioneer of mini FM radio, Tetsuo Kogawa, and sound artist Yasunao Tone, based on an email exchange on radio art. Link: http://rwm.macba.cat/en/curatorial/lines7/capsula 3) *Transcript: A conversation between Tetsuo Kogawa and Yasunao Tone for the LINES OF SIGHT podcast* In the seventh instalment of the Curatorial series LINES OF SIGHT, philosopher and mini FM radio pioneer Tetsuo Kogawa and sound artist Yasunao Tone conceived a piece based on an exchange of e-mails around radio art. This document is a transcript of that conversation. Link: http://rwm.macba.cat/en/extra/tetsuo_kogawa_yasunao_tone/capsula PDF: http://rwm.macba.cat/uploads/20120530/conversation_tetsuo_kogawa_yasunao_tone.pdf 4)* Podcast: COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.2. Exclusive music by Christophe Charles and Yasunao Tone* Link: http://rwm.macba.cat/en/research/composingwithprocess_exclusives_yasunao_tone_christophe_charles/capsula </pre> Radio Web MACBA 2013-05-14T08:57:17 http://comments.gmane.org/gmane.music.idm/47284 <pre>hello! here is a sampler of my new LP that will come out in a few weeks... https://soundcloud.com/pertin-nce/pertin-49-bleupulp-a-few 11 tracks, featuring a remix by hemiptera... kinda sounds like deep, dubby,  techno, moody &amp; experimental... i am willing to give promo copies to relevent people. peace out! max   net label : pertin-nce.ca me : soundcloud.com/bleupulp</pre> max tanguay 2013-05-13T17:35:45 http://comments.gmane.org/gmane.music.idm/47283 <pre>http://music.cornwarning.com/2013/05/12/2013-05-11-krui-noise-radio/ http://www.cornwarning.com/chaircrusher/Chaircrusher-NoiseRadio-2013-05-11.mp3 Codebase - Falling Bricks Microlife - Le Printemps X09 - Nuclear Lush - Sweetness &amp; Light Phaeleh - For You MS MR - Hurricane (CHVRCHES remix) Codebase - Black Mondial Andy Vaz - Detroit In Me (Patrice Scott Remix) Hapbt - Wumpus8 Librah - Gravity Rrose - Wedge of Chastity Fielded - Arms of Heaven Librah - My Love Is 4Ever Ron Trent - Pressure Zone x09 - Statika Garage $ale - Bump and Grind (Waze &amp; Oddysey Remix) Andy Vaz - Stubnitz (Memory Foundation Remix) Arthur Oskan - Maximilian Adam Marshall - Chaos Shawn Rudiman - XK7 Dustoff Kataconda - Leaf One Bleupulp - London (Hemptera Mix) Kataconda - Leaf Two The Translator - Prime Time Chords Shawn Rudiman - One More Sometimes Mount Kimbie - Made To Stray Bleupulp - A Few Stories Shawn Rudiman - When To Let Go Bleupulp - The End Is Near Chaircrusher - Le Printemps Du Chien Lerosa - Slavery X09 - Arc Martyn - Oceania Phaeleh - Taking It Back Flying Lotus - Tiny Tortures </pre> kent williams 2013-05-13T16:02:14 http://comments.gmane.org/gmane.music.idm/47282 <pre>Andrew Duke In The Mix #2707 (w/ Dan Sicko interview #RIP) Hour One: 01 X-101--Sonic Destroyer; Rave New World/Sonic Destroyer (Underground Resistance UR 13.5) __ Esteban Adame ID (Ican Productions, Underground Quality, Motech) 02 Juan Atkins--Techno Music; Techno: The New Dance Sound Of Detroit compilation (Virgin) 03 Kevin Saunderson--Pump The Move (Samuel L Session remix); History Elevate 2 (Planet E PE65295) 04 Kevin Saunderson--Rock To The Beat (Ben Sims remix); History Elevate (KMS) 05 K-Hand--Dusty (Andrew Duke remix) (Gorsch) 06 Juan Atkins &amp; Moritz Von Oswald--Treehouse; Borderland (Tresor 262) 07 Inner City--Future (Carl Craig's C2 edit); Future (Defected) 08 Carl Craig's Paperclip People--Remake (Basic Channel's Basic Reshape) (Basic Channel BCD-2) 09 Jeff Mills--Breaking Through The Inner Wall; Fantastic Voyage (Axis CD044) __ FBK ID (Absoloop, Diametric, Frictional) 10 Andrew Duke--Geisha (Terrence Dixon remix); Geisha (Nice &amp; Nasty NANO96) 11 Fix (Orlando Voorn)--Juice; Dr Technofunkenstein (Nite Vision NV021) 12 X-313 (Alan Oldham)--Uncanny; Digital Sects 2 compilation (Matrix MR1009) 13 DJ T-1000--Drums And Weapons; Drums And Weapons (Pure Sonic PURE24) 14 Terrence Dixon--Untitled 3; Lost At Sea (Surface SFTDX001) 15 Andrew Duke--Maiko (Orlando Voorn dub); Maiko (Nice &amp; Nasty NANO91) 16 Purveyors Of Fine Funk (Dan Curtin &amp; ?)--How Dark Is Your Deepness; How Dark Is Your Deepness (Bass Culture BCR031) 17 FBK--Impasse Resolution Theorem (unreleased) 18 Shawn Rudiman--Umbilicus; Monolithic Soul: Installment III (Detroit Techno Militia DTMD007) 19 Jason Skilz--Transmit-1988 (Spins &amp; Needles) 20 The Black Dog--Bleep Five; The Return Ov Bleep (Dust Science DUSTV036) Hour Two: __ Mike "Agent-X" Clark ID (Strictly Beatdown, Planet E, Night Grooves) 01 Neville Watson--Songs To Elevate Pure Hearts; Songs To Elevate Pure Hearts (Creme Organization CREMELP-010) 02 Cromie &amp; Sage Caswell--Vines (Kyle Hall remix); Vines/Pyrex (Peach 001) 03 XDB--Frocks (Patrice Scott); Frocks (Sistrum SIS020) 04 Kuba--On The Sky; Chinatown (Matrix 24) 05 Gari Romalis--Detroit Shuffle (Quick Step C mix); The No Left Beat Behind (Hizou Deeply Rooted 004) 06 Lady Blacktronika--Love &amp; Desire (2013 Nu Garage mix); Jackmaster Cunt (Sound Black 005) 07 Project01--01; Project01 (Nsyde 006) 08 Erell Ranson--When The Sea Turns Black (Carlos Nilmmns Live Tangent mix); When The Sea Turns Black remixes (Nice &amp; Nasty NANO121) 09 Syrinx--Jet Stream; Beyond (Science Label SL0010) 10 R-A-G--Plenum (Inner mix); Vacuum (MOS Deep 016) 11 Blaktony--The Vortex Room (Club Scene); Johnny Gambit: Music Inspired By The Graphic Novel (Pure Sonic PURE18POINT5) 12 Erdbeerschnitzel--Cushion; Cushion (Delsin dsr-h6) 13 Andy Vaz--Stubnitz (Memory Foundation remix); 7 Inches Of Straight Vacationing Part 2 (Yore 000.1/7") from the show archives, an interview with the late Dan Sicko, Techno Rebels author (last 15 minutes of this show) __Mad Mike Banks ID (Underground Resistance) 01 Reese &amp; Santonio (Kevin Saunderson &amp; Santonio Echols)--Truth Of Self Evidence (KMS) 02 Cybotron (Juan Atkins &amp; 3070)--Cosmic Raindance; Enter (Fantasy) 03 Rhythim Is Rhythim (Derrick May)--Move It (Only mix); Nude Photo (Transmat) 04 Galaxy 2 Galaxy (Mike Banks)--Journey Of The Dragons; UR-25 (UR) 05 Basic Channel (Mark Ernestus &amp; Moritz Von Oswald)--Radiance; BC8 (Basic Channel) 06 Moodymann (Kenny Dixon Jr.)--I Can't Kick This Feelin' When It Hits (KDJ) (all material in this section of the program was selected by Dan Sicko) https://soundcloud.com/andrewdukecognitionaudio/sets/andrew-duke-in-the-mix </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-13T13:14:20 http://comments.gmane.org/gmane.music.idm/47281 <pre>*Jonny Trunk &lt; at &gt; Ràdio Web MACBA* http://rwm.macba.cat/en/jonny_trunk_tag Jonny Trunk collecting records around 1982, but rather than focusing on traditional record stores, he chose to comb second hand outlets and street markets. It didn't take long for him to realise that his obsession was not pop music or modern sounds, but film soundtracks and television music. He founded the label Trunk Records in 1995, and it soon gained a cult following as a result of its specialisation in unpublished jazz recordings and film and television soundtracks. Trunk Records was the first label to feature non-commercial library music, a genre that Trunk has written about extensively. Trunk hosts a radio programme at London radio station Resonance FM, and he regularly DJs around the world. His record collection now consists of around six thousand LPs. *RWM shows and features with Jonny Trunk* *MEMORABILIA. COLLECTING SOUNDS WITH... Jonny Trunk. Part I * Jonny Trunk walks us through a hard-to-find and yet very familiar genre: library music. Link: http://rwm.macba.cat/en/research/memorabilia_jonny_trunk/capsula Playlist: http://rwm.macba.cat/uploads/20121008/Memorabilia_Jonny_Trunk_eng.pdf *MEMORABILIA. COLLECTING SOUNDS WITH.... Jonny Trunk. Part II * Jonny Trunk picks his fifteen favourite tracks from the fifteen best library music companies in his collection. http://rwm.macba.cat/en/research/memorabilia_jonny_trunk_collection/capsula Playlist: http://rwm.macba.cat/uploads/20121120/Memorabilia_Jonny_Trunk_eng.pdf *MEMORABILIA. COLLECTING SOUNDS WITH.... Conversation with Jonny Trunk on his sound collection. * A research on library and soundtrack music. Link: http://rwm.macba.cat/en/research/memorabilia_jonny_trunk_collection/capsula Playlist: http://rwm.macba.cat/uploads/20121120/Memorabilia_Jonny_Trunk_eng.pdf *MEMORABILIA. COLLECTING SOUNDS WITH.... Jonny Trunk. Deleted scenes. * We dig up some unreleased fragments of the interview with sound collector Jonny Trunk that we were unable to include the first time around. Link: http://rwm.macba.cat/en/extra/memorabilia_jonny_trunk_conversation/capsula PDF: http://rwm.macba.cat/uploads/20120516/memorabilia_jonny_trunk_conversation_eng.pdf *MEMORABILIA. COLLECTING SOUNDS WITH.... Jonny Trunk. Teaser. *As a teaser for his forthcoming lecture, Jonny Trunk compiles fifteen gems from his very own sound collection. Link: http://rwm.macba.cat/en/extra/teaser_memorabilia_jonny_trunk/capsula Follow us at http://twitter.com/Radio_Web_MACBA </pre> Radio Web MACBA 2013-05-11T07:53:27 http://comments.gmane.org/gmane.music.idm/47277 <pre>The International SuperCollider Symposium is in Boulder, Colorado in a couple of weeks. There are four concerts, the last of which is a "club night" that will, perhaps, be not completely dissimilar to what the algorave folks are doing in London. I'll be performing as Shalmaneser. http://supercollider2013.com/shows.php </pre> Tim Walters 2013-05-08T20:01:31 http://comments.gmane.org/gmane.music.idm/47274 <pre>Long time lurker of the IDM list. Just wanted to say that this track has been a major earworm for the past week or two https://www.youtube.com/watch?v=OhAD8FuopuA </pre> Connor Higgins 2013-05-08T17:29:10 http://comments.gmane.org/gmane.music.idm/47273 <pre>*New podcast: PROBES #3.2. Auxiliaries, a music selection by Chris Cutler * Link: http://rwm.macba.cat/en/curatorial/probes3-2_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20130506/Probes3_2_eng.pdf The PROBES Auxiliaries collect materials related to each episode that try to give a broader – and more immediate – impression of the field. They are a scan, not a deep listening vehicle; an indication of what further investigation might uncover and, for that reason, most are edited snapshots of longer pieces. We have tried to light the corners as well as the central arena, and to not privilege so-called serious over so-called popular genres. This music selection continues to explore probes into pitch, this time through its effective obliteration through ceaseless movement, sliding tones, and radical portamenti which defy all quantization. Previous episodes: http://rwm.macba.cat/en/probes_tag </pre> Radio Web MACBA 2013-05-08T17:06:49 http://comments.gmane.org/gmane.music.idm/47272 <pre>never heard of these peepz before today, thanks Pandora http://www.youtube.com/watch?v=eYoTp9T2bg4 really liked the track even tho its not my thing at all very pop/sneaker pimps/garbage type thing but great Clint Anderson Systems Engineer </pre> Clint Anderson 2013-05-08T15:27:05 http://comments.gmane.org/gmane.music.idm/47270 <pre>*Podcast: Deutsche Kassettentäter. The rise of the German home-recording tape scene, parts #1 and #2. Curated by Felix Kubin In the late 1970s, the German music scene was shaken up by a virtual explosion of new bands that sounded radically different to anything that had come before. They played music that was experimental, playful, absurd, minimalist and astute, with lyrics that were sung – or more commonly screamed – exclusively in German. Appalled rather than enthralled by this new expressionism, the record industry initially showed no interest in these groups, so new platforms had to be set up in order to spread the virus. Small companies like ZickZack and Ata Tak started to release records by these young artists who were springing up like mushrooms. The independent record label was born. The spirit of this new movement – later branded Neue Deutsche Welle – emerged from a collision between the self-confident attitude of punk, the legacy of Germany's electronic avant-garde and a belief in the imminence of an atomic apocalypse. In his book "Als die Welt noch unterging" (When the world was still going to end), Frank Apunkt Schneider describes this despair as a joyful dance on the edge of the volcano, which is what underlies the unusual music that you will hear in these programmes. Part #1: Mix Link: http://bit.ly/n3aN7s MP3: http://bit.ly/gpqhyK Related info/playlist: http://bit.ly/R8aoEm Translated lyrics: http://bit.ly/MVOSev Part #2: Interviews with Alfred Hilsberg (ZickZack Records) and Frank Apunkt Schneider Link: http://bit.ly/oRtfAZ MP3: http://bit.ly/rkVaAy Related info/playlist: http://bit.ly/pQUAET Follow us at http://twitter.com/Radio_Web_MACBA * </pre> Radio Web MACBA 2013-05-08T11:07:00 http://comments.gmane.org/gmane.music.idm/47265 <pre>ALGORAVE http://algorave.com/ What: Dancing to algorithms When: Thursday 16th May 2013, 7-11:30pm Where: MS Stubnitz, moored off Montgomery Street, Canary Wharf tube, London E14 9SB http://ms.stubnitz.com/ Tax: £9 advance from http://www.wegottickets.com/event/220974 (or more on the door) We're back with an algorave on-board the MS Stubnitz for the 16th May 2013, your last chance to dance to repetitive conditionals onboard the art ship (and feel their world famous soundsystem) in London for a while, as they set sail for France the very next day. Acts confirmed so far: Cursor Miner, Ardisson, Alo Allik, Alexandra Cárdenas, Martin Klang, Meta-eX, Shelly and some Mandelbrots.. Plus algorave residents Slub and Sick Lincoln. We're strictly limited on capacity, and might not have any tickets on the door - please check the website before travelling or get your tickets in advance from here: http://www.wegottickets.com/event/220974 Full info appearing here: http://algorave.com/stubnitz2/ You can also sign up to our new mailing list, or our twitter or facebook feeds for the latest news: http://twitter.com/algorave/ http://facebook.com/algoravers/ http://lists.lurk.org/mailman/listinfo/algorave See you there! http://algorave.com/ </pre> Alex McLean 2013-05-07T22:39:17 http://comments.gmane.org/gmane.music.idm/47250 <pre>Good ole RK biting my style again: http://www.cornwarning.com/chaircrusher/Chaircrusher-Bsninski.mp3 But seriously the preview sounds great. https://soundcloud.com/tigerbeat6/sets/meow197-nibbana003-rjyan By the way, William Basinski played here last month as part of the Mission Creek Festival. He was an interesting guy, he hung out drinking beer the night before, chatting with all &amp; sundry. He has has a high pitched, school-girlish giggle when he's amused. Who knew? </pre> kent williams 2013-05-06T20:31:48 http://comments.gmane.org/gmane.music.idm/47234 <pre>i don't know about YOU but i am excited as hell to get the new BoC album srsly anyone hating on it is just jealous :) it's going to be fucking awesome </pre> Clint Anderson 2013-05-06T19:05:36 http://comments.gmane.org/gmane.music.idm/47233 <pre>Theo Burt is a UK-based artist working with sound, video and light. His work draws on interests in perceptual relationships between sound and image and aesthetic applications of technology. Burt’s recent projects have focused on the use of related sound and video to create a transparency of process, and the effect of partial-predictability on perceptions of time. His work includes installations, live performances and fixed-media pieces. Theo Burt talks about perceptual processes, visual music and intermedia art. Link: http://bit.ly/qJxr6O MP3: http://bit.ly/qf6Rpg Follow us at http://twitter.com/Radio_Web_MACBA </pre> Radio Web MACBA 2013-05-06T14:42:25 http://comments.gmane.org/gmane.music.idm/47225 <pre>Andrew Duke In The Mix #2706 (includes Hailey Sphynx guest DJ mix) DL/stream here: http://andrewdukeinthemix.com Hour One: __ Rick Wade ID (Harmonie Park, Rush Hour, Yore) 01 DJ Jus-Ed--No More Pain ft June April; No More Pain (Underground Quality UQ-028) 02 Andrew Duke--Giuseppe's Groove (Anton Zap remix); Giuseppe's Groove (unreleased) 03 Alison Marks--My Heart (Re-created by Dubbyman); Re-Create Part 1 (Bumako BU-M019) 04 Jenifa Mayanja--Heading Into Tomorrow; split with Dakini9 (Sound Warrior SW001) 05 $tinkworx--MKB; split with Kinoeye (WT Records WT001) 06 Harmonious Thelonious--The Grasshopper Was The Witness (Elmore Judd &amp; Rowan Park rx); The Malag (Meakusma MEA010) 07 Kirk Degiorgio--Babilonia (Rick Wilhite remix); Kirk Degiorgio presents Sambatek (Far Our Recordings JD26) 08 youAND:THEMACHINES--Perception ft Brothers Vibe; Behind (Ornaments Music ORN027) 09 Juan Atkins &amp; Moritz Von Oswald--Electric Dub; Borderland (Tresor 262) 10 Scan 7--In &amp; Out Of The Groove ft Blaktony; The Resistance (Tresor 255) 11 Steiner--Noirology; Transmitter (Shipwrec SHIP020) __ Hakim Murphy ID (Machining Dreams, Synapsis, Plan B) 12 Neville Watson--Son Of House; Songs To Elevate Pure Hearts (Creme Organization CREMELP-10) 13 Andy Slate--Aphrodiziac ft Kenny Gino (Solid Gold Playaz remix); Aphrodiziac (Eightmileshigh 001) 14 Patrice Scott--Nostalgia; Nostalgia (Sistrum SIS021) 15 Keith Kemp--Detroit Spaces (Noncom NCO005) 16 Innershades--That Girl (Vakula remix); That Girl (Wicked Bass WB011) 17 Ruf Dog--Colisseum; The Head Cleaner (Sud Electronic SUD014) 18 Philippe Petit--Scrape; Scrape (Decision Making Theory DMT002) 19 Moerbeck--In My Brane; In My Brane (Mechanisms Industries M1992) 20 Tin Man--Stay Down; Underground EP 1 (Pomelo POM33) 21 Voiceless--Atlas; Shadows Of Sound (III Rivers IIR-1) 22 Aux 88 presents Black Tokyo--Blue Love (instrumental); Blue Love (Puzzlebox PBX24) 23 Forward Strategy Group--We're Looking For Manpower; The New Formal (Perc Trax TPT058) 24 Thomas Barnett--Do Bionics Crystalize? (Visillusion Detroit) (unreleased version) __ Tony Ollivierra ID (Northside District, Planet E, Intangible) 25 DJ Nova (Miami)--SK Versace; Miami Meets Detroit (Black Nation BNR740) 26 Derek Marin--Full Reverse (Affie Yusef remix); Full Reverse (Laila Music LM002) 27 Bleupulp--London (Hemiptera remix); A Few Stories (Pertinence 049) 28 birdsmakingmachine--Wild Carrots; BMM01 (birdsmakingmachine BMM01) 29 Erell Ranson--We Are Waiting For You (unreleased) Hour Two: Hailey Sphynx (Detroit; DB, Jammin, Freewheel Vibes, Italica) guest DJ mix (exclusive) __ Aubrey ID (Dot, Mowar, Synchrophone) 01 Kquesol &amp; D.O.O.P--So Lonely ft Shatti (Jon Sweetname Deeptic mx) (Open Bar Music) 02 Hailey Sphynx -Satisfy My Heart (Italica) 03 Martin Roth - Make Love To Me Baby (Anjunadeep) 04 PP - Rawson (Stereo8) __ Denis Clifford ID (Bumako) 05 Venus - Mundos (Stereo8) 06 Deep Groovers - Child (FMC Phonograph) 07 The Mekanism - Missing Love (Needwant) 08 Soul Central - In Ten City (Soul Heaven) 09 DJ Moana - Tromso (FMC Phonograph) __ Q-Burns Abstract Message ID (Eighth Dimension, NRK, Mephisto) 10 Love Pacific Industries - Conselvee (Baccara) </pre> Andrew Duke In The Mix/Cognition Audioworks 2013-05-06T12:05:48 http://comments.gmane.org/gmane.music.idm/47224 <pre>*Grupo de lectura: Nuevas aproximaciones al tiempo en la música experimental, conducido por Roc Jiménez de Cisneros, Lluís Nacenta y Anna Ramos * Los lunes 27 de mayo y 3, 10 y 17 de junio de 2013 de 18.30 a 20.30 h. Auditorio MACBA. Entrada gratuita. Plazas limitadas. Información: http://www.macba.cat/es/grupo-de-lectura-nuevas-aproximaciones Inscripción: http://entrades.macba.cat:8080/Muslink_jsp/control_acces.jsp?IDIOMA=1&amp;NOM_CACHE=macba&amp;IDENTIFICADOR=MUSEU&amp;TIPUS_OPER=VC La música es una alteración del tiempo. Toda experiencia musical viene determinada por dos ejes temporales confluyentes: la escucha y el recuerdo, el presente y el pasado. En este grupo de lectura partiremos de un texto, una audición y una conversación con un artista, y observaremos casos paradigmáticos en los que la música, entendida como arte del tiempo, tensiona los conceptos de percepción, escala, memoria colectiva o subjetividad. Partiendo de estos ejemplos, y en base a los modelos temporales propuestos por la filosofía y la ciencia contemporáneas, nos proponemos explorar los nuevos usos del tiempo en el campo de la música. La música experimental reciente plantea nuevas preguntas y perspectivas respecto a la forma en la que la música juega con el factor tiempo, ya sea porque los nuevos medios tecnológicos lo permiten, porque el conocimiento científico contemporáneo lo estimula o porque el contexto sociopolítico lo propicia. Por todo ello, se hace necesario renovar, ampliar y revisar críticamente los planteamientos con los que la musicología y la filosofía han abordado tradicionalmente la cuestión. Con este grupo de lectura queremos reabrir un debate, ya de por sí antiguo, que siempre ha ido de la mano de la práctica musical. Un factor relevante en la discusión sobre los nuevos usos del tiempo en la música experimental es la relación que se establece entre lo que entendemos por obra y sus realizaciones en el tiempo. Frente al modelo de interpretación tradicional, que distingue claramente el tiempo de la creación del de la interpretación y la escucha, o el de la música acusmática, donde la interpretación no es más que una reproducción, surgen propuestas en las que estos dos momentos –interpretación y escucha– se confunden. Tras esta disyuntiva se esconde el problema de fondo de si existe algún tipo de realización musical en tiempo real o si, por el contrario, todas las formas de música se dan, de un modo u otro, en diferido. A lo largo del siglo XX hemos visto también cómo la implementación de los medios de reproducción del sonido redefinía la experiencia musical al crear un documento que capturaba el momento de la interpretación y a la vez lo convertía en reproducible; un cambio de paradigma fundamental que transformó la manera de consumir y compartir la experiencia musical, así como los conceptos de autoría, original y la propia composición. Tomando como referencia la idea kantiana según la cual el tiempo no es más que la experiencia que de él tenemos, podemos concebir la música como una transformación del tiempo por medio de un estímulo auditivo. En esta experiencia de flujo temporal, la duración tiene un papel esencial tanto para el oyente como para el intérprete. Paralelamente, el acceso a tecnologías y software cada vez más sofisticados ha introducido nuevas posibilidades en la escala y la medición del tiempo. Mientras compositores como Stockhausen y Berio intentaban jugar con los límites de la destreza en la ejecución, el tiempo musical en el ordenador propone nuevas tensiones entre la medición intuitiva y la cronométrica, y abre la puerta a un concepto diferente de escala temporal. *PROGRAMA* 27 de mayo *Sobre los límites de la ejecución* Conversación por skype con Tom Johnson (http://www.editions75.com/) Audiciones: György Ligeti, “Continuum”, 1968 y EVOL, “Continuum, expanded”, 2011 Texto: Roc Jiménez de Cisneros, “Continuum, expanded”, 2013 http://dl.dropbox.com/u/4354079/continuum-expanded.pdf 3 de junio *Virtuosismo y especulación* Visionado de un vídeo de Goodiepal grabado para la ocasión. Audiciones: Brian Ferneyhough, “Kurze Schatten 2”, 1989 y Curtis Roads, “Half-life, Part I: Sonal Atoms”, 1999 Texto: Goodiepal or Gaeoudjiparl The Arhus Warrior, “Radical Computer Music &amp; Fantastik Mediemanipulation” http://bit.ly/12fK0Yz 10 de junio *Extremos en la duración* Conversación por skype con Dave Phillips ( http://www.davephillips.ch/menu.html) Audiciones: Keiji Haino, “So, Black is Myself”, 1997 y Masonna, “Spectrum Ripper. Part XXV”, 1997 Texto: Tetsuo Kogawa y Yasunao Tone, “Lines of Sight #7. Transcript of a conversation between Tetsuo Kogawa and Yasunao Tone”, 2008. http://rwm.macba.cat/uploads/20120530/conversation_tetsuo_kogawa_yasunao_tone.pdf 17 de junio *Memoria y tiempo* Conversación por skype con Chris Cutler (http://www.ccutler.com/ccutler) Audición: Robert Ashley, “Pillars”, 2008 http://rwm.macba.cat/en/curatorial/lines3/capsula Texto: Chris Cutler, “Quadern d’àudio #04. The road to plunderphonia”, 2011 http://rwm.macba.cat/uploads/20110104/QA_04_Cutler.pdf </pre> Radio Web MACBA 2013-05-06T11:58:35 http://comments.gmane.org/gmane.music.idm/47214 <pre>http://www.15questions.net/interview/fifteen-questions-uwe-schmidt-aka-atomtm/page-1/ "The new reality is that electronic sound, unlike any other sound, because it is being shaped and most importantly amplified through electricity, transcends into the realm of physics, that is, pure energy. A composition could be a combination and configuration of specific sine waves and it would still be music, yet at the same time, just pure sound. Instead of seeing it as a problem to be solved, that sound, in most traditional opinions, is not considered music, I say that we are standing at the beginning of an era where the traditional understanding of music will transform into something bigger. Sound is not a disadvantage, that one needs to cover up and camouflage by using fancy chord progressions and pretty melodies, so it would be accepted as music, but rather, sound will ultimately replace the limited language of musical notes and transform music into a physical and ultimately spiritual experience for everybody who has felt a 20 Hz sound wave running through his/her body!" </pre> Esa Ruoho 2013-05-05T16:08:02 Search the mailing list at Gmane query http://search.gmane.org/?group=$group=gmane.music.idm