<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:syn="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/">
  <channel rdf:about="http://permalink.gmane.org/gmane.culture.studies.general">
    <title>gmane.culture.studies.general</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general</link>
    <description/>
    <syn:updatePeriod>hourly</syn:updatePeriod>
    <syn:updateFrequency>1</syn:updateFrequency>
    <syn:updateBase>1901-01-01T00:00+00:00</syn:updateBase>
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14236"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14235"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14234"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14233"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14232"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14231"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14230"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14229"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14228"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14227"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14226"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14225"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14224"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14223"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14222"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14221"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14220"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14219"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14218"/>
        <rdf:li rdf:resource="http://permalink.gmane.org/gmane.culture.studies.general/14217"/>
      </rdf:Seq>
    </items>
    <image rdf:resource="http://gmane.org/img/gmane-25t.png"/>
    <textinput rdf:resource=""/>
  </channel>
  <image rdf:about="http://gmane.org/img/gmane-25t.png">
    <title>Gmane</title>
    <url>http://gmane.org/img/gmane-25t.png</url>
    <link>http://gmane.org</link>
  </image>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14236">
    <title>Le Guin Science Fiction Fellowship</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14236</link>
    <description>&lt;pre&gt;
 &amp;lt;http://csws.uoregon.edu/?attachment_id=16568&amp;gt; a
The Le Guin Feminist Science Fiction Fellowship
Sponsored by the Center for the Study of Women in Society, Robert D. Clark
Honors College, and the UO Libraries
 Special Collections and University Archives

As part of the Center for the Study of Women in Society¹s 40th Anniversary
Celebration, and as a way of honoring the role that Special Collections and
University Archives (SCUA) played in the founding of CSWS, we are
collaborating with the University of Oregon Knight Library and the Robert D.
Clark Honors College (CHC) to create the Le Guin Feminist Science Fiction
Fellowship. (Guidelines PDF
&amp;lt;http://csws.uoregon.edu/wp-content/docs/grants/Le_Guin_Fellowship_guideline
s.pdf&amp;gt; )

Purpose: The intention of the Le Guin Feminist Science Fiction Fellowship is
to encourage research within collections in the area of feminist science
fiction. The Knight Library houses the papers of authors Ursula K. Le Guin,
Joanna Russ, Kate Wilhelm, Suzette Haden Elgin, Sally Mi&lt;/pre&gt;</description>
    <dc:creator>Bryce Peake</dc:creator>
    <dc:date>2013-05-23T23:56:53</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14235">
    <title>Tom Phillips' A Humument: treatments, reflections, responses</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14235</link>
    <description>&lt;pre&gt;All,

You are warmly invited to Tom Phillips' A Humument: treatments,
reflections, responses at Birkbeck, University of London

Saturday 13 July 2013, 10-5pm
Keynes Library, 43 Gordon Square, London WC1H 0PD
Reflections on A Humument from different periods and disciplines, including
papers and discussion by Luisa Calè, Dennis Duncan, Holly Pester, Gill
Partington, James Kidd, Zara Dinnen, Patrizia di Bello, Adam Smyth, Carol
Watts, Alex Latter and -- most importantly -- Tom Phillips himself.

Details: ahumument2013&amp;lt; at &amp;gt;gmail.com
Programme can be dowloaded here: http://is.gd/ElhHdV
For more on A Humument, go to http://humument.com/
Please do get in touch at ahumument2013&amp;lt; at &amp;gt;gmail.com for further information

Regards,
Adam Smyth, Gill Partington, Zara Dinnen.
Birkbeck, University of London

=====
General list info and FAQ: http://comm.umn.edu/~grodman/cultstud.html
&lt;/pre&gt;</description>
    <dc:creator>Adam Gill Zara Birkbeck</dc:creator>
    <dc:date>2013-05-23T14:29:39</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14234">
    <title>ASTR Working Session</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14234</link>
    <description>&lt;pre&gt;With all apologies for cross-posting, and sincere desire for a terrifically engaged working session of scholars of all kinds!

Dr. Kirsten Pullen
Ray A. Rothrock '77 Research Fellow
Associate Professor and Director of Graduate Studies
Department of Performance Studies
Director, Academy for the Visual and Performing Arts
Texas A&amp;amp;M University
TAMU4240
College Station, TX  77843-4240
kpullen&amp;lt; at &amp;gt;tamu.edu



Dancing Sex: Eroticism, Embodiment, and Agency in Performance
Dr. Kirsten Pullen, Texas A&amp;amp;M University
kpullen&amp;lt; at &amp;gt;tamu.edu&amp;lt;mailto:kpullen&amp;lt; at &amp;gt;tamu.edu&amp;gt;

Working Session Rationale
Dance is always already bound up with sex. Salome deployed dance to seduce a saint; young devadasis danced their sensual devotion in Hindi temples; Romantic era ballerinas revealed scandalous stretches of breeches-clad legs; the rock star Prince urged a ballet dancer to “get off, get off, GET OFF” as she penetrated another dancer’s mouth with her pointe shoe. The inescapable sexuality of the dancing body infuses traditional and popular d&lt;/pre&gt;</description>
    <dc:creator>Kirsten Pullen</dc:creator>
    <dc:date>2013-05-23T14:05:21</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14233">
    <title>New Academic Publisher in Cultural Studies</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14233</link>
    <description>&lt;pre&gt;I am delighted to announce the launch of Rowman &amp;amp; Littlefield International, a 
new independent academic publisher focusing its publishing in the disciplines of: 
Cultural Studies, Philosophy, Politics &amp;amp; International Relations and Economics.
 
Please visit our website: www.rowmaninternational.com for further information.  
You can also follow us on Twitter &amp;lt; at &amp;gt;RowmanInternat

We will publish monographs, edited collections and supplementary titles, for a 
scholarly and advanced student audience, representing the latest research in 
some of the most exciting areas of Cultural Studies. In particular, we are 
interested in projects that explore:

Critical and Cultural Theory 
Science, Technology and Culture
Globalisation
Asian Cultural Studies
Identity and difference
Conflict, Change and Precarity

We are intrigued by the interdisciplinary nature of our subject areas and aim to 
publish titles at the interface of Cultural Studies, Politics and Philosophy.

We are passionate about bringing incisiv&lt;/pre&gt;</description>
    <dc:creator>Martina O'Sullivan</dc:creator>
    <dc:date>2013-05-23T10:57:51</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14232">
    <title>Lectureship in Media and Communication Studies at the University of Leeds</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14232</link>
    <description>&lt;pre&gt;Dear list,

This position at the Institute of Communications Studies, University of Leeds, may be of interest to list members:

Lectureship in Media and Communication Studies
Available from 1 September 2013 or as soon as possible thereafter

You will have a PhD in media and communication studies, or another relevant subject area. You will be able to teach journalism studies and aspects of 'promotional culture', including the critical analysis of public relations, marketing, branding and advertising.

You must be able to demonstrate a developing record of research in media and communication studies, with a clear indication of potential to achieve internationally recognised standards of excellence, preferably in the areas indicated above.

University of Leeds Grade 8 (£37,382 - £44,607 p.a.)

Informal enquiries may be made to Professor Stephen Coleman, email s.coleman&amp;lt; at &amp;gt;leeds.ac.uk&amp;lt;mailto:s.coleman&amp;lt; at &amp;gt;leeds.ac.uk&amp;gt;

Closing Date: 11 June 2013

Interviews are expected to be held on 10 July 2013

Further details can&lt;/pre&gt;</description>
    <dc:creator>Bethany Klein</dc:creator>
    <dc:date>2013-05-23T08:58:09</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14231">
    <title>Global Cinemas book series invites proposals</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14231</link>
    <description>&lt;pre&gt;The editors, Katarzyna Marciniak, Aniko Imre and Aine O’Healy, are happy to announce the release of the following books in the Global Cinema series published by Palgrave-MacMillan:

The Education of the Filmmaker in Africa, the Middle East, and the Americas
Edited By Mette Hjort  

Silencing Cinema
Film Censorship around the World
Edited By Daniel Biltereyst and Roel Vande Winkel

Transnational Stardom
International Celebrity in Film and Popular Culture
Edited By Russell Meeuf and Raphael Raphael

Prismatic Media, Transnational Circuits
Feminism in a Globalized Present
Krista Geneviève Lynes

Please find more information about the series here: http://us.macmillan.com/series/GlobalCinema

The editors are interested in receiving queries or proposals on any aspects of global cinemas. Please write to all three: 

 marcinia&amp;lt; at &amp;gt;ohio.edu
 imre&amp;lt; at &amp;gt;usc.edu
aohealy&amp;lt; at &amp;gt;gmail.com

=====
General list info and FAQ: http://comm.umn.edu/~grodman/cultstud.html

&lt;/pre&gt;</description>
    <dc:creator>Aniko Imre</dc:creator>
    <dc:date>2013-05-22T18:44:22</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14230">
    <title>Fembot Unconference</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14230</link>
    <description>&lt;pre&gt;Fembot Unconference: Multiplying Standpoints and Participatory Feminism
July 18-19, 2013
White Stag, Portland, Oregon


The Fembot Collective &amp;lt;http://fembotcollective.org&amp;gt; , and its peer-reviewed
journal Ada &amp;lt;http://adanewmedia.org&amp;gt; , value and feature intersectionality
in terms of content, membership, editorial practices, and organizational
structure. This unconference addresses issues related to our networks and
their geographical and institutional limitations at a critical juncture in
Fembot¹s history. In order to ensure that our politics are mirrored in our
practices, we have invited five consultants (see below) with demonstrated
expertise in participatory media theory and production to provide guidance
in thinking about these issues.

Day one will initiate a series of discussions organized around questions of
accessibility, participation, strategies of inclusion, editorial bias, and
the crafting of Ada Issue Four which will address these issues in journal
form. Day two will be dedicated to a hack-a-tho&lt;/pre&gt;</description>
    <dc:creator>Bryce Peake</dc:creator>
    <dc:date>2013-05-22T17:38:20</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14229">
    <title>ephemera politics of consumption issue released</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14229</link>
    <description>&lt;pre&gt;New ephemera issue on the politics of consumption released...

ephemera volume 13, number 2
The politics of consumption
http://www.ephemerajournal.org/issue/politics-consumption

This age of austerity comes on the back of a lengthened period of 
apparently rampant consumer excess: that was a party for which we are 
all now having to pay. A spectacular period of unsustainably funded 
over-indulgence, it seems, has now given rise to a sobering period of 
barely fundable mere-subsistence. Consumption, narrated along such 
lines, is a sin which has to be paid for. Beyond the deceptive theology 
of consumption, however, lies actual politics. In May 2012, we hosted a 
conference at Dublin’s Royal Society of the Antiquaries of Ireland in 
order to analyse and debate the politics of consumption. This special 
issue is the outcome of the discussions which took place during that 
event. It features conceptual and empirical investigations into the 
politics of consumption, a head-to-head debate on the idea of consume&lt;/pre&gt;</description>
    <dc:creator>Stevphen Shukaitis</dc:creator>
    <dc:date>2013-05-22T06:38:02</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14228">
    <title>Thought Catalog Seeks Media Studies Essays</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14228</link>
    <description>&lt;pre&gt;Proposals Due June 14th, 2013

Thought Catalog, a New York City-based media brand, is pleased to launch a media studies “Think Tank” dedicated to advancing research in media studies. We are particularly interested in article-length essays that focus on the work of Walter Ong, John Fisk, Dick Hebdige, Stuart Hall, Douglas Rushkoff, Marshall McLuhan, Jean Baudrilliard and other canonical media theorists. We also encourage focused essays on topics related to media studies and postmodernism.

Accepted essays may be turned into eBooks for a general audience, and will be sold by Amazon, Apple, Google Play, Kobo, and Barnes and Noble. Writers will be compensated for their work.


Fun, smart, and creative: the Thought Catalog platform extends across the web, mobile, and eBooks. Our website, thoughtcatalog.com, has over 5 million monthly readers and over 500,000 social media followers and fans. Thought Catalog eBooks are routinely some of the best-selling on the Internet. 


Article-length essays should be at lea&lt;/pre&gt;</description>
    <dc:creator>madison moore</dc:creator>
    <dc:date>2013-05-22T13:50:00</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14227">
    <title>CFP: New Media and Society special issue on crowdfunding</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14227</link>
    <description>&lt;pre&gt;*Apologies for cross-posting* 

Call for Papers: New Media &amp;amp; Society special issue on crowdfunding.

Edited by Lucy Bennett, Bertha Chin and Bethan Jones

The concept of crowdfunding, where grassroots creative projects are funded
by the masses through websites such as Kickstarter and Indiegogo has been
steadily gaining attention in the last few years. The 2013 success of the
Veronica Mars movie campaign, along with the successful crowdfunding
projects spearheaded by musicians like Amanda Palmer and, most recently,
actor Zach Braff, has raised much discussion surrounding the rich and
powerful possibilities of this method of funding. However, the practice has
also invited much criticism, not just of Kickstarter but also of
crowdfunding in general.  Among some of the most common accusations levelled
at crowdfunding are: it is used by media conglomerates to exploit fans;
successful artists using the scheme take money away from genuine independent
producers who actually need it; and the time and money spent on de&lt;/pre&gt;</description>
    <dc:creator>Bertha Chin</dc:creator>
    <dc:date>2013-05-22T09:55:23</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14226">
    <title>CFP (Reminder): Representations of “The Family” in T elevision (Edited Collection)</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14226</link>
    <description>&lt;pre&gt;We invite contributions for an edited collection that examines the shifts in representations of “the family” in television. It is the aim of this book to trace and critically explore the many permutations of the family in relation to cultural anxieties and socio-political change.


We seek submissions adopting a Cultural Studies approach that critique “the family” in relation to issues including, but not limited to:



·         Familial compositions. E.g. “blended”, “single parent”, “adoptive/foster”, “same-sex”, “patriarchal nuclear”, “dysfunctional”.

·         Specific subject positions and cultural constructs. E.g. patriarch/father figures, matriarch/mother figures, “the teenager”.

·         Gender

·         Sexuality (including monogamy and polygamy)

·         National identity

·         ‘Race’/ethnicity

·         Class

·         Postmodernism

·         Late capitalism

·         Generational relationships

·         Public/private domains

·  &lt;/pre&gt;</description>
    <dc:creator>Alzena MacDonald</dc:creator>
    <dc:date>2013-05-22T05:21:05</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14225">
    <title>Job Opening: Lecturer in Media Studies</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14225</link>
    <description>&lt;pre&gt;Lecturer in Media Studies 
 
UNIVERSITYOF NEW HAMPSHIRE: The Department of Communication at the University
of New Hampshire, Durham, invites applicants for one non-tenure
track, benefits-eligible Lecturer in Media Studies for the 2013-2014 academic
year.
 
The Department seeks broadly
trained individuals with expertise in critical, theoretical, and/or historical
approaches to media studies. The successful candidate will teach existing media
courses at the undergraduate level, including Introduction to Media Studies, as
well as courses in his or her own specialty. The teaching load is six courses
per academic year. Committee work and advising are not required. Fall 2013
courses begin on August 26, 2013. 
 
Excellent teaching
credentials are essential. Ph.D. or ABD in Communication preferred; highly qualified
candidates with master’s degrees will be considered.
 
The Department of
Communication has approximately 500 majors and offers an undergraduate
curriculum that integrates critical media studies, rhe&lt;/pre&gt;</description>
    <dc:creator>Kevin Healey</dc:creator>
    <dc:date>2013-05-22T01:52:38</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14224">
    <title>CFP: Helsinki Photomedia 2014 conference</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14224</link>
    <description>&lt;pre&gt;Call for Papers: HELSINKI PHOTOMEDIA  2014
 
The second international photography research conference
March 26, 2014 – March 28, 2014 
Organized by Aalto University School of Arts, Design and Architecture
 
Theme: Photographic Powers
 
Keynote Speakers:
 
Paul Frosh (Israel)
Jorge Ribalta (Spain) 
Jeff Wall (Canada, tbc)
Joanna Zylinska (UK)
 
Deadline for 500 word abstracts: 1 September 2013
 
http://helsinkiphotomedia.aalto.fi
 
 
Helsinki Photomedia 2014 offers various platforms, where artistic, philosophical, social, cultural, economical and technological approaches meet. We welcome submissions from all areas of photography research. Conference language is English.
 
In our world images embody power in multiple ways. Sciences need images in order to visualize their results and in order to envision new aims. Institutions need images in order to make themselves effective. Individuals need images in order to shape their identities. Imagination needs and produces images, and so do the arts. History needs i&lt;/pre&gt;</description>
    <dc:creator>Salo Merja</dc:creator>
    <dc:date>2013-05-21T19:11:00</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14223">
    <title>In Media Res – Resident Evil at the Movies</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14223</link>
    <description>&lt;pre&gt;This week’s In Media Res theme focus is Resident Evil at the Movies (May 20 - May 24, 2013).

Here's the line-up:
http://mediacommons.futureofthebook.org/imr/


Monday, May 20, 2013 - Marianna Martin (University of Chicago) presents: "New York Sequence Initialized": Genre Cues and Play in the Resident Evil Film Franchise

Tuesday, May 21, 2013 - Racquel M. Gonzales (University of California, Irvine) presents: Whose Aesthetics?: Resident Evil as a Video Game Movie

Wednesday, May 22, 2013 - Sean Cashbaugh (Department of American Studies, University of Texas at Austin) presents: Guarantee Me You’ll Bring This Corporation Down: Narrative Closure and Resident Evil’s Anti-Corporate Politics

Thursday, May 23, 2013 - Kalisha Cornett (University of Chicago) presents: Jill Sandwich: The Cinema and ‘Resident Evil’

Friday, May 24, 2013 - Carly Kocurek (Illinois Institute of Technology) presents: Alice Remembers Everything: The Resident Evil Franchise as Film Franchise

Theme week organized by Carly Kocurek &lt;/pre&gt;</description>
    <dc:creator>Katharine Persephone Zakos</dc:creator>
    <dc:date>2013-05-20T19:00:38</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14222">
    <title>CFP: Media Spaces of Gender and Sexuality</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14222</link>
    <description>&lt;pre&gt;Apologies for cross-posting!
-----------------------------------------
CFP: Media Spaces of Gender and Sexuality
Media
FieldsJournal
University
of California, Santa Barbara
 
This
issue of Media Fields investigates the connections between
media, space, gender, and sexuality, seeking conversations that center on these
interrelations and negotiations. We invite papers that raise questions of how
media spaces construct gender, and how gender, in turn, constructs media
spaces; how spaces condition and are conditioned by gender performances and
sexual practices; and how gender legibility limits (or allows) access to
various media spaces.
 
Film and
media scholarship historically came of age through its study of the
relationship between gender, sexuality, and media. Much has been written about
the status of women as objects of the cinematic gaze, as well as about the
status of female and queer-identified subjects as media producers. Yet in more
recent times, issues of gender and sexuality have once again becom&lt;/pre&gt;</description>
    <dc:creator>Lindsay Palmer</dc:creator>
    <dc:date>2013-05-20T16:23:41</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14221">
    <title>CFP: UDC Project &amp; Censored in San Francisco November 1-3</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14221</link>
    <description>&lt;pre&gt;Sponsored in part by the Department of Media Studies, University of San Francisco









=====
General list info and FAQ: http://comm.umn.edu/~grodman/cultstud.html
&lt;/pre&gt;</description>
    <dc:creator>Michelle Rodino-Colocino</dc:creator>
    <dc:date>2013-05-18T03:34:06</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14220">
    <title>Interface 5(1) now out. Struggles, strategies and analysis of anticolonial and postcolonial social movements</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14220</link>
    <description>&lt;pre&gt;Interface: a journal for and about social movements 
http://interfacejournal.net

Volume five, issue one (May 2013): Struggles, strategies and analysis of 
anticolonial and postcolonial social movements

Issue editors: Aziz Choudry, Mandisi Majavu, Lesley 
Wood http://www.interfacejournal.net/current/

Volume five, issue one of Interface, a peer-reviewed online journal 
produced and refereed by social movement practitioners and engaged 
movement researchers, is now out, on the special theme "Struggles, 
strategies and analysis of anticolonial and postcolonial social 
movements”. Interface is open-access (free), global and multilingual. 
Our overall aim is to "learn from each other's struggles": to develop a 
dialogue between practitioners and researchers, but also between 
different social movements, intellectual traditions and national or 
regional contexts.

Like all issues of Interface, this issue is free and open-access. You 
can download articles individually or a complete PDF of the issue (7.44 
MB&lt;/pre&gt;</description>
    <dc:creator>Stevphen Shukaitis</dc:creator>
    <dc:date>2013-05-15T17:01:25</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14219">
    <title>Due Sunday: Film and Media in the Tracks of Deleuze Summer Institute in Rhetoric and Public Culture July 15-19, 2013 at Northwestern University</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14219</link>
    <description>&lt;pre&gt;Subject: DUE SUNDAY: Call for Participants:
Film and Media in the Tracks of Deleuze
Summer Institute in Rhetoric and Public Culture
July 15-19, 2013 at Northwestern University, Evanston, IL 60208

The annual one-week summer institute in Rhetoric and Public Culture
for graduate students will be held at Northwestern University
(Evanston, IL) on July 15-19, 2013. This year’s institute theme is:
“Film and Media in the Tracks of Deleuze”. Thirty years after the
publication in French of Cinema 1: The Movement-Image, Deleuze’s work
on cinema remains at the center of contemporary debates on film, and
its relationship to other visual media, as well as to philosophy,
literature and political thought. This institute will bring together
prominent scholars of film, literature and theory to explore the
relationship of Deleuze’s work on cinema to his thought as a whole, as
well as to that of other major theorists who are, in various ways, in
dialogue or conflict with that work. It will particularly focus on the
p&lt;/pre&gt;</description>
    <dc:creator>Caitlin Bruce</dc:creator>
    <dc:date>2013-05-15T14:16:40</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14218">
    <title>The Future of NGO Studies--Call for Session Participants</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14218</link>
    <description>&lt;pre&gt;Call For Participants

The Future of NGO Studies conference is seeking individuals who are
interested in becoming presenters for existing sessions. The conference
will include roughly fifteen sessions, and the following are currently
recruiting participants:

1. Beyond Neoliberalisms: Broadening the Focus of NGO Studies**

2. The Anthropology of Conservation NGOs

3. The Ethics and Politics of NGO-Dependent Anthropology

4. Social Problems through the Lens of NGOs

5. Laboring in Nonprofits and NGOs

6. Re-contextualizing NGOs as Fieldsite

7. NGOs in the World System: Product or Provocation?

Please visit the conference website for session descriptions and email
addresses of session organizers, whom you should contact by JUNE 15 if you
would like to submit an abstract.  The following link connects to all
session descriptions; please note that the subset of sessions seeking
presenters is indicated by bold organizer names that link to appropriate
contact information.

http://www.niu.edu/ngold/news/conference_&lt;/pre&gt;</description>
    <dc:creator>Amanda Lashaw</dc:creator>
    <dc:date>2013-05-14T21:01:59</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14217">
    <title>In Media Res – The Feelings Business: The Real Housewi ves Franchise</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14217</link>
    <description>&lt;pre&gt;
This week’s In Media Res theme focus is The Feelings Business: The Real Housewives Franchise (May 12 - May 17, 2013).

Here's the line-up:
http://mediacommons.futureofthebook.org/imr/


Monday, May 13, 2013 - Rachel Silverman (Embry Riddle University) presents: Welcome to The Clubhouse

Tuesday, May 14, 2013 - Jacquelyn Arcy (University of Minnesota) presents: Real Housework: Branding Emotional Labor in The Real Housewives of New York City

Wednesday, May 15, 2013 - Kimberly Springer (School of Information, University of Michigan) presents: The Real Housewives of Atlanta’s African Adventure

Thursday, May 16, 2013 - David R. Coon (University of Washington Tacoma) presents: Weathering a Recession with The Real Housewives

Friday, May 17, 2013 - Chelsea Bullock (University of Oregon) presents: The Labor of Intimacy in the Affective Marketplace of The Real Housewives of Atlanta

Theme week organized by Jing Zhang (Georgia State University).

To receive links for each day’s posts and stay up to date on ou&lt;/pre&gt;</description>
    <dc:creator>Katharine Persephone Zakos</dc:creator>
    <dc:date>2013-05-13T16:42:27</dc:date>
  </item>
  <item rdf:about="http://permalink.gmane.org/gmane.culture.studies.general/14216">
    <title>Photomediations Machine: launch + call for contributions</title>
    <link>http://permalink.gmane.org/gmane.culture.studies.general/14216</link>
    <description>&lt;pre&gt;PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net

We are pleased to announce the launch of Photomediations Machine: a 
curated online space where the dynamic relations of mediation as 
performed in photography and other media can be encountered, experienced 
and engaged.

Photomediations Machine adopts a process-based approach to image making 
by tracing the technological, biological, cultural, social and political 
flows of mediation that produce photographic objects. Showcasing 
theoretical and practical work at the intersections of art and 
mainstream practices, Photomediations Machine is both an archive of 
mediations past and a site of production of media 
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, 
non-profit and fully open access.

Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine 
has an International Advisory Board which includes Katherine Behar, Lisa 
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, 
Sarah Kember, &lt;/pre&gt;</description>
    <dc:creator>Joanna Zylinska</dc:creator>
    <dc:date>2013-05-13T09:11:45</dc:date>
  </item>
  <textinput rdf:about="http://search.gmane.org/?group=$group=gmane.culture.studies.general">
    <title>Search Engine</title>
    <description>Search the mailing list at Gmane</description>
    <name>query</name>
    <link>http://search.gmane.org/?group=$group=gmane.culture.studies.general</link>
  </textinput>
</rdf:RDF>
