http://blog.gmane.org/gmane.comp.audio.supercollider.user hourly 1 1901-01-01T00:00+00:00 http://gmane.org/img/gmane-25t.png http://gmane.org http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87178 <pre>it works here 10.7, will try it immediately in a 10.6 system and report back - thank you !! m On May 24, 2012, at 06:53 , Josh Parmenter wrote: </pre> Marinos Koutsomichalis 2012-05-24T06:44:36 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87177 <pre> Um, no. Synth("multosc" ++ a.size, [...... args ........]); (But the single-voice approach is better IMO) hjh </pre> James Harkins 2012-05-24T04:56:59 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87176 <pre>Can you give this a try? http://www.realizedsound.net/josh/StandaloneTemplate.zip Best, Josh On May 23, 2012, at 2:25 PM, Marinos Koutsomichalis wrote: ****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/ “Every composer – at all times and in all cases – gives his own interpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continual renewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono */ </pre> Josh Parmenter 2012-05-24T03:53:54 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87175 <pre>At Tue, 22 May 2012 03:42:42 +0200, Monsieur wrote: You could add a rest event at the end to wait enough time for the release. Pfset( { ... make control stuff here... }, Pseq([ thePattern, Rest(releaseTime) // 3.5 and later only ]), { ... clean up control stuff... } ) In 3.4, there's no Rest class, but you can use Event.silent(releaseTime) instead of Rest(...). hjh -- James Harkins /// dewdrop world jamshark70-n2XjBy9Frl0FLkkUnhLBSV6hYfS7NtTn&lt; at &gt;public.gmane.org http://www.dewdrop-world.net "Come said the Muse, Sing me a song no poet has yet chanted, Sing me the universal." -- Whitman blog: http://www.dewdrop-world.net/words audio clips: http://www.dewdrop-world.net/audio more audio: http://soundcloud.com/dewdrop_world/tracks _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> James Harkins 2012-05-24T02:54:09 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87174 <pre> On 23.5.2012, at 16:53 , Jonatan Liljedahl wrote: ah, good to know! Thanks, m. -- hear the colours of noise: http://blauwurf.at http://soundcloud.com/noiseconformist _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> Michael Zacherl. 2012-05-24T00:52:25 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87173 <pre>Hi Jonathan, thanks, that answers my question in my previous post! m. On 23.5.2012, at 16:23 , Jonathan Siemasko wrote: -- nonconform? noiseconform: http://blauwurf.at http://soundcloud.com/noiseconformist _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> Michael Zacherl. 2012-05-24T00:51:07 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87172 <pre>Ni Nathiel, thanks for the fast reply! So that's this last-line-in-a-function-returns-result thing? ok, could have thought of it ... :-/ If it was like do(i=MoofFF( .... ),4) (not about the syntax) it should work? Thanks, Michael. On 23.5.2012, at 15:39 , Nathaniel Virgo wrote: -- feed your perception: http://blauwurf.at http://soundcloud.com/noiseconformist _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> Michael Zacherl. 2012-05-24T00:46:14 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87171 <pre>At Wed, 23 May 2012 20:03:13 +0200, johannes wrote: As stated yesterday: "SuperCollider *server* optimizes the creation of new synths by requiring the client (the language) to build the network of unit generators and optimize it in advance. The server does not take on the responsibility of optimizing that graph. ... If this requirement were changed -- if you could have a different number of unit generators for the same synthdef depending on a runtime argument -- then creating a new synth would be much slower..." The only way that the server could handle more "freqs" values at runtime is to *make more unit generators* for them, re-optimize the UGens etc. The server doesn't do that. I can't help thinking this is the wrong approach, though. The server is optimized to handle many copies of the same SynthDef running at the same time. Another solution (more idiomatic to SuperCollider, IMO) is to make a SynthDef for one voice and make as many Synths as unique voices. Then you can add as many voices as you need, at any time, without worrying about predefined array sizes. ( SynthDef("oneosc", { arg freq, amp; Out.ar(0, Pan2.ar(SinOsc.ar(freq, 0, amp))) }).add; ) a = 3; ( var freqs = Array.rand(a,20,3000), amps = Array.rand(a,0.07,0.2); z = freqs.collect { |freq, i| Synth("oneosc", [freq: freq, amp: amps[i]]); }; ) z.do(_.free); Or, maybe a little more convenient. ( z = Array.fill(a, { Synth("oneosc", [freq: rrand(20, 3000), amp: rrand(0.07, 0.2)]); }); ) z.do(_.free); But the easiest way to play chords is with Events. z = (instrument: \oneosc, freq: Array.rand(a,20,3000), amp: Array.rand(a,0.07,0.2), sustain: 3).play; s.sendMsg(\n_free, *z.id); If you *must* do it in one SynthDef... My last e-mail illustrated how to use a "do" loop to create a different SynthDef for each array size. Then you can do this: a = 2; // num voices Synth("multosc" ++ a, [...... args ........]); But 9.5 years of SC experience tells me you'll probably be happier with a single-voice SynthDef and multiple Synths. hjh -- James Harkins /// dewdrop world jamshark70-n2XjBy9Frl0FLkkUnhLBSV6hYfS7NtTn&lt; at &gt;public.gmane.org http://www.dewdrop-world.net "Come said the Muse, Sing me a song no poet has yet chanted, Sing me the universal." -- Whitman blog: http://www.dewdrop-world.net/words audio clips: http://www.dewdrop-world.net/audio more audio: http://soundcloud.com/dewdrop_world/tracks _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> James Harkins 2012-05-24T00:43:54 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87170 <pre>3.6… thank you Josh ! m On May 23, 2012, at 19:22 , Josh Parmenter wrote: </pre> Marinos Koutsomichalis 2012-05-23T21:25:08 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87169 <pre>and its entirely javascript and html5 http://www.google.com/doodles/robert-moogs-78th-birthday http://creativejs.com/2012/05/google-moog-synth-tear-down/ http://www.html5rocks.com/en/tutorials/webaudio/intro/ The Web Audio API is an extremely powerful tool for controlling audio in the browser. It is based around the concept of Audio Routes which are a common tool in sound engineering. This is a simple, but powerful way of representing the connections between a sound source and a destination, in this case, your speakers. Between these two end points, you can connect any number of nodes which take the audio data passed in, manipulate it in some way and output it to which ever nodes are connected next in the chain. The common node types found in sound engineering are all present. To control the volume, you would create a gain node and set the value then place this in between the source and destination. Similarly, you can create filter nodes – specifically Biquad filters – and connect these too. By connecting several of these nodes, you can have fine-grained control over the audio produced. On Wed, May 23, 2012 at 8:26 PM, Glen F &lt;holaglen-Re5JQEeQqe8AvxtiuMwx3w&lt; at &gt;public.gmane.org&gt; wrote: </pre> felix 2012-05-23T20:33:41 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87168 <pre>Yep, 1 is what I was thinking. Best Dan 2012/5/23 Jonatan Liljedahl &lt;lijon-fwFeWneuYPZWk0Htik3J/w&lt; at &gt;public.gmane.org&gt;: </pre> Dan Stowell 2012-05-23T20:23:51 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87167 <pre> yes, I should apologise for that. At the time I wrote my comments I was in that strange world where I couldn't remember a single thing about the old help system and still wrestling with both the new Browser and/or w3M (using a new operating system and new SC version - possibly an over ambitious move all in one go, but it is settling nicely now!). I have to say that at this stage using w3m wins hands down over the new browser, but then I have fallen in love with emacs so I guess I would :) the key point I would make at this time is thet w3m provides the full rich functionality of a web browser i.e. keyboard shortcuts, bookmarks etc, all of which are valuable in a help context. Thanks Dan for suggestion about "back" and "forward" keys. Unfortunately I don't have them. However, my discovery is that right mouse click in many areas of the new Browser window opens up a shortcut menu with "back" and "forward" options. This is one heck of a lot less work than going over to the back and forward buttons cheers Lea </pre> lea nicholson 2012-05-23T20:18:02 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87166 <pre>I'm not sure, I remember having it like that before but changing it back. It should be possible, and there's two ways of doing it: 1) simplest solution: if Methods.html#name didn't find something, just redirect to Search page automatically without user having to click the link. this is all in javascript. 2) in SCDoc.findHelpFile: scan through all SCDocEntry items in SCDoc.documents, and for each entry scan through their instance vars: docimethods, doccmethods, docmethods, undoccmethods, and undocimethods, and if a matching name is found, go to Methods.html else Search.html. (NOTE: SCDoc may have indexed "methods" that are actually not existing methods, since it's used also for pseudo-variables and generic interface-like methods that are implemented by several classes) I vote for 1, since it seems it would make people happy to just not having to click the "search instead" link.. /Jonatan On Wed, May 23, 2012 at 6:58 PM, Dan Stowell &lt;danstowell+sc3-Re5JQEeQqe8AvxtiuMwx3w&lt; at &gt;public.gmane.org&gt; wrote: _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> Jonatan Liljedahl 2012-05-23T19:59:54 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87165 <pre>Am 23.05.12 20:26, schrieb Glen F: 78 years of a life can't be put in 140 characters either, i guess. and not everything within sc has to be written in 140 characters... nice piecs. thanks for sharing. stefan </pre> Stefan Nussbaumer 2012-05-23T19:53:15 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87164 <pre>Hiho, On May 31st there is the third workshop of the Essentials of SuperCollider workshops at STEIM, hosted by myself and Tijs Ham. In this one, titled "Control, Performance, and Interaction" we will look at how to interface with controllers (HID, MIDI, OSC) and make performance instruments with them. If you didn't follow the previous two workshops, but already know the basics of SuperCollider, but would like to get some introduction to get started with using controllers in SC, please join the workshop! There are still some places open! More information: http://steim.org/event/essentials-of-supercollider-workshop-3/ sincerely, Marije _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> nescivi 2012-05-23T19:47:06 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87163 <pre> No problem; thanks for your help. I was able to resolve the issue - it was a mix of directory permissions and sorting out dependencies. My original issue did not produce an error message - because it never compiled the dewdrop lib components at all (but then the interpreter would fail to recognize the classes). All is well now. </pre> Andrew Dickens 2012-05-23T19:35:28 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87162 <pre>A bit of filter-fiddling on Bob's birthday -- ¡Feliz cumpleaños, Señor Moog! ( z = { var sig, freq, change; var buf = Scale.harmonicMinor.degrees.as(LocalBuf); freq = MouseX.kr(10,70,\linear).round(1).degreeToKey(buf).midicps; f = [({exprand(200, 1000)} ! 4).sort, (1..4).normalizeSum, {rrand(0.2, 2.2)} ! 4]; change = BMoog.ar(Klank.ar(`f, K2A.ar(Changed.kr(MouseX.kr(10, 70, lag:0).round(1)))), MouseY.kr(40, 12000, \exponential) * LFNoise2.kr([1,1.05], 0.3, 0.85), 1, mode: 1) * SinOsc.kr(LFNoise2.kr(1, 0.15, 0.15), 0, 0.0025, 0.0025); sig = (BMoog.ar( Saw.ar([freq * 0.99, freq * 1.01], 0.1) ! 2, SinOsc.kr(SinOsc.kr(0.1),1.5pi,1550,1800), MouseY.kr(1,0,\linear), 2) + BMoog.ar( Saw.ar([freq * 1.013, freq * 0.967], 0.1) ! 2, SinOsc.kr(SinOsc.kr(0.107),0,1550,1800), MouseY.kr(1,0,\linear), 0)) * 0.5; (CombN.ar(sig + change, 0.8, [0.37,0.77],2) * 0.4) + ((sig + change) * 0.5); }.play) Sorry it's so bloated (nowhere near 140 characters ;-), I've got a long way to go to become a real SC guru... Glen. P.S. Some of you may also have noticed today's "Google Doodle"...you can even play it, and it has a 4-track recorder. </pre> Glen F 2012-05-23T18:26:36 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87161 <pre> thanks for your very detailed explanations guys, this is how it works for me: ________________________________________________ ( SynthDef("multosc", { arg freqs = #[0,0,0,0,0,0,0,0,0,0], amps = #[0,0,0,0,0,0,0,0,0,0]; Out.ar(0,Pan2.ar(Mix(SinOsc.ar(freqs, 0, amps))),0)}).add; ) ( Synth("multosc", [\freqs, (Array.rand(a,20,3000)), \amps, (Array.rand(a,0.07,0.2))]); ) a= 2; // voices ________________________________________________ its not very elegant, but it works for now. i have some problems understanding the following: like james mentioned i create a literal: arg freqs = #[0,0,0,0,0,0,0,0,0,0] and i assign it to the arg freqs, this hapens by default, so when i run this part of the script: ( Synth("multosc", [\freqs, (Array.rand(a,20,3000)), \amps, (Array.rand(a,0.07,0.2))]); ) the content of "freqs" should be replaced by a defined number of random values. but it doesnt. somehow the size of the default freqs array defines how many frequencys can be played, even though iam sending much more frequency components into the synthdef. why is it? thanks again for your help, johannes Am 23.05.12 17:10, schrieb felix: </pre> johannes 2012-05-23T18:03:13 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87160 <pre>May I ask if there's a design/technical reason why, if no such method is found, it doesn't automatically display the search results? I've been doing that "one additional click" quite a lot, I feel... Thanks Dan 2012/5/23 Jonatan Liljedahl &lt;lijon-fwFeWneuYPZWk0Htik3J/w&lt; at &gt;public.gmane.org&gt;: </pre> Dan Stowell 2012-05-23T16:58:54 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87159 <pre>I can ... do you prefer 3.5 or 3.6? Josh On May 23, 2012, at 3:56 AM, Marinos Koutsomichalis wrote: ****************************************** /* Joshua D. Parmenter http://www.realizedsound.net/josh/ “Every composer – at all times and in all cases – gives his own interpretation of how modern society is structured: whether actively or passively, consciously or unconsciously, he makes choices in this regard. He may be conservative or he may subject himself to continual renewal; or he may strive for a revolutionary, historical or social palingenesis." - Luigi Nono */ </pre> Josh Parmenter 2012-05-23T16:22:09 http://permalink.gmane.org/gmane.comp.audio.supercollider.user/87158 <pre>i just did explain it. there is a == method for array but not a ||. in other words an array understands == but not ||. but i'll let someone else take over and explain it better. _f 23 maj 2012 kl. 18.29 skrev Peter O'Doherty: #| fredrikolofsson.com musicalfieldsforever.com |# _______________________________________________ sc-users mailing list info (subscription, etc.): http://www.beast.bham.ac.uk/research/sc_mailing_lists.shtml archive: http://www.listarc.bham.ac.uk/marchives/sc-users/ search: http://www.listarc.bham.ac.uk/lists/sc-users/search/ </pre> Fredrik Olofsson 2012-05-23T16:35:57 Search the mailing list at Gmane query http://search.gmane.org/?group=$group=gmane.comp.audio.supercollider.user