http://permalink.gmane.org/gmane.music.idm hourly 1 1901-01-01T00:00+00:00 http://gmane.org/img/gmane-25t.png http://gmane.org http://permalink.gmane.org/gmane.music.idm/46403 <pre>We reproduce Kenneth Goldsmith's text for the *MEMORABILIA. Collecting sounds with... *lecture series, which took place on April 20th, 2012 at the MACBA. Link: http://bit.ly/MGpw8r PDF: http://bit.ly/LCN1ju *MEMORABILIA. Collecting sounds with...* at Ràdio Web MACBA http://bit.ly/LqcIgM Follow us at http://twitter.com/Radio_Web_MACBA </pre> Radio Web MACBA 2012-05-23T12:14:09 http://permalink.gmane.org/gmane.music.idm/46402 <pre>Sacred Earth Open Air 2012 http://www.SacredEarthOpenAir.com June 1st-3rd :: Black River Falls, WI The Chilluminati &amp; Psymbolic present a multi-day camping festival brought to life with consciousness, harmony and mind-expanding: music, visuals, art, fire, workshops + more! Featuring: International, Regional &amp; Local Performing Artists, Psychedelic Trance, Contemporary Electronica, Incredible Art &amp; Installations, Momentous Music, Synchronous Realtime VJing, Immersive Visual Environments, Projection Mapping, New Media Art, Environmental Decor, Circus Spectacle, Fire Dancing, Live Painting, Performance Art, Visionary Healing Arts ++ Transformational Workshops focused on Social, Spiritual and Technological Awareness. Transformational Workshop Topics: Psychedelic Potluck Picnic, Intentional Living in a Turbulent Time, Laughter Therapy, Vinyasa Flow Yoga, Beginners Pilates, Edible Medicinal Plant Walk, Fire Performance &amp; Safety, Flow Toy Fun, Music Production Q&amp;A + more! Sacred Earth is created to be a Cosmic C</pre> Psymbolic 2012-05-23T02:07:55 http://permalink.gmane.org/gmane.music.idm/46401 <pre>*New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part II * A musical selection of some of the secret jewels found in Ed Veenstra's record collection, specialised in Broken Music: records and paramusical works produced by visual artists and other avant-garde creators. Link: http://bit.ly/JkfdCi MP3: http://bit.ly/JNcQuI Related info: http://bit.ly/K5aG9q *Music selected by Ed Veenstra. Mix produced by Genís Segarra * In the early sixties Milan Knížák began experimenting with vinyl records by scratching, painting, burning or even breaking them. These fierce treatments affected not only radically the original compositions but also expanded the function of the records themselves. Because it was almost impossible to transfer the distorted sounds to standard sheet music, Knížák considered the records with all their cuts, paint, punched holes, glue and scratches a new form of musical notation. Additionally the records became art objects. On February 18, 1988, Daadgalerie in Berlin opened </pre> Radio Web MACBA 2012-05-22T07:41:25 http://permalink.gmane.org/gmane.music.idm/46400 <pre>There were some problems with the previous link. This one should work: http://rwm.macba.cat/uploads/twitter/cwpintros.zip ps- We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing or whatever! On Tue, May 15, 2012 at 6:18 PM, Radio Web MACBA &lt;rwm2008&lt; at &gt;gmail.com&gt; wrote: </pre> Radio Web MACBA 2012-05-22T07:26:33 http://permalink.gmane.org/gmane.music.idm/46399 <pre>Oh man that looks nice, just wish they chose a more common platform than max4live though...especially considering the extremely slow rate of Ableton Live's development (yes I do use Live as my DAW) - Joe Bentley On 21 May 2012 15:30, Basma O &lt;basma.o&lt; at &gt;gmail.com&gt; wrote: </pre> Joe Bentley 2012-05-21T17:03:36 http://permalink.gmane.org/gmane.music.idm/46398 <pre>ma ma ma my my my yeah checked out the gareth clarke stuff, eh... its okish... it sounds like a bunch of old aphex twin tracks that didn't make the cut :) On Fri, May 18, 2012 at 4:29 PM, Justin &lt;ytbmusic&lt; at &gt;gmail.com&gt; wrote: </pre> Clint Anderson 2012-05-21T16:37:52 http://permalink.gmane.org/gmane.music.idm/46397 <pre>I haven't really read too much about it, but the idea thought would interest some! On 21 May 2012 16:28, Basma O &lt;basma.o&lt; at &gt;gmail.com&gt; wrote: </pre> Basma O 2012-05-21T14:30:05 http://permalink.gmane.org/gmane.music.idm/46396 <pre>http://www.beyond-digital.org/sufiplugins/ The first *SUFI PLUG INS *were released on May 14, 2012. *SUFI PLUG INS v.1* are a free suite of seven audio software tools for Ableton Live (Max4Live). They include four software synthesizers hardwired to North African maqam scales with quartertone tuning built-in, a device called DEVOTION which lowers your computer’s volume 5 times a day during call to prayer (presets include Agnostic, Fervent, Devout), and a drone machine. </pre> Basma O 2012-05-21T14:28:32 http://permalink.gmane.org/gmane.music.idm/46395 <pre>http://www.radiolab.org/2011/oct/04/everythingnothing/ </pre> kent williams 2012-05-20T19:24:04 http://permalink.gmane.org/gmane.music.idm/46394 <pre>Anyone notice that Panic Massive on the Enstrobia EP sounds like a My Sharona? Maybe it's just me? On Fri, May 18, 2012 at 1:01 PM, kent williams &lt;chaircrusher&lt; at &gt;gmail.com&gt;wrote: </pre> Justin 2012-05-18T21:29:43 http://permalink.gmane.org/gmane.music.idm/46393 <pre>You can go on his Vimeo channel if you want to know where he gets his sounds. Most of Risp sounds like it was created by sequencing in his modular, where there are many signal sources feeding into the sequencing. Rich is friends with the Autechre guys but I don't think they sit around swapping sequencing tips. They both are big fans of the Nord Modulars and patching up chaotic self-modulating sequencers. Varseop and the Drumcell remix of it are the most accessible. The Drumcell remix is badass techno, and the original mix is a lot groovier than Oxin2lin and Plonked Spectral. On Fri, May 18, 2012 at 2:55 PM, Clint Anderson &lt;clinta&lt; at &gt;gmail.com&gt; wrote: </pre> kent williams 2012-05-18T20:01:37 http://permalink.gmane.org/gmane.music.idm/46392 <pre>in fact just to be that way, based on the name 'plonk spectral' it almost sounds like he is using the resulting points of a spectral analysis of a sound to trigger percussion, which in fact is a bit like what gantz graf sounds like On Fri, May 18, 2012 at 2:53 PM, Clint Anderson &lt;clinta&lt; at &gt;gmail.com&gt; wrote: </pre> Clint Anderson 2012-05-18T19:55:06 http://permalink.gmane.org/gmane.music.idm/46391 <pre>heh, it DOES sound like late 90s autechre in fact it sounds like something from gantz-graf confield period same samples anyways, sounds like the same msp patches... still, i like it On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &lt;craignorms&lt; at &gt;hotmail.com&gt;wrote: </pre> Clint Anderson 2012-05-18T19:53:40 http://permalink.gmane.org/gmane.music.idm/46390 <pre>hi! i just updated the pertin-nce blog.. (many free net releases and dub techno stuff) featuring releases and dj mixes by:   dubloop (lp) michel plamondon (ep) miniatura (v/a compilation) bleep sequence (v/a compilation) deep in dub (v/a compilation) cyan (dj mix) hemiptera (live pa) bleupulp (live pa &amp; dj mix) phonaut (dj mix) spag (dj mix) laminat (dj mix) dj x612 (dj mix) CLMNTL (dj mix) mon0 (ep)   check out, stream &amp; download :   http://pertin-nce.blogspot.ca   peace out! - max   net label : pertin-nce.ca me : soundcloud.com/bleupulp</pre> max tanguay 2012-05-18T17:28:40 http://permalink.gmane.org/gmane.music.idm/46389 <pre>netlabel.review.from.now.to.09pm.gmt+1 only.free.music on.radio-usine.net with the visit of the Mapping Festival team, which starts its last weekend (http://mappingfestival.ch) they will be tuned &lt; at &gt;8pm approximately, with Rombeads et Mika Ventura. http://bit.ly/MrZF43 http://bit.ly/LeqK4S welcome! lalex http://twitter.com/radiousine chat: http://www.radio-usine.net/siteweb/chat/ netlabels review: http://review.audioactivity.net radio archives: http://www.radio-usine.net/siteweb/emissions/audioactivity-crew-nosteps/ playlist: Num.ArtistTitleTime 1[mikra] 13.01:01 2Flavien GilliéLa Pelouse Devient Jardin11:05 3LOWdownCop A Feel03:00 4Fanta StikaNii Ma Teen (Bigtime edit)03:10 5XherónPa´siempre (Con Filósofos de sofá)04:08 6PompierPhotographie de l'instant03:32 7Charlestan &amp; Mono ShaoOutro/bonus12:21 8TabCalm Before The Storm (Featuring Elle Rose)02:46 9Monokle &amp; GalunHappy Sun03:02 10Shan-A-ShanMelodica Time (Cut Session)05:12 11Jideh HighMelodica Time (Sound Sys</pre> Nosteps 2012-05-18T17:16:43 http://permalink.gmane.org/gmane.music.idm/46388 <pre>I agree, the new Devine stuff is more suited as modular tech demos rather than being interesting to listen to. The new sp is awesome, best stuff since go plastic and ultravisitor. This and the new Gareth Clarke makes for a great year of drill n bass -Veqtor Skickat från min Sony Ericsson Xperia PLAY CRAIG SIMPSON &lt;craignorms&lt; at &gt;hotmail.com&gt; skrev: &gt; </pre> Göran Sandström 2012-05-18T13:32:05 http://permalink.gmane.org/gmane.music.idm/46387 <pre>it is sort of lucky for us that someone that talented decided to make music that dosent suck On Fri, May 18, 2012 at 3:46 AM, CRAIG SIMPSON &lt;craignorms&lt; at &gt;hotmail.com&gt;wrote: </pre> Clint Anderson 2012-05-18T13:09:56 http://permalink.gmane.org/gmane.music.idm/46386 <pre> new SP is mind blowing, love how it radically changes tone from red and blue onwards... devine's stuff for me, being totally honest, sounds like late 90s autechre that didnt make the cut (3rd track on that ep especially) </pre> CRAIG SIMPSON 2012-05-18T08:46:59 http://permalink.gmane.org/gmane.music.idm/46385 <pre>The new Squarepusher is the most melodically accessible thing he's ever done, though it's still chock full of his mental chop-it-uppiness. The level of detail in his tracks is mind-boggling. Rich Devine's 'Resp' just came out today digital https://www.beatport.com/release/risp-ep/915684 -- I'd love to have the vinyl, but I need to get rid of a thousand or so records to make room for new ones before I buy it. What distinguishes the music of both of these guys is utterly original sound design. Squarepusher is the master of the Eventide -- a lot of those crazy sounds are his custom programs he uses to play bass through. Rich "One Of Everything" Devine spends all day, every day in his studio patching together modular synths and all sorts of digital toys, and his songs are assembled from literally hundreds of custom sound events. </pre> kent williams 2012-05-17T21:43:01 http://permalink.gmane.org/gmane.music.idm/46384 <pre> Cheers </pre> Caleb Cobell 2012-05-17T21:28:53 http://permalink.gmane.org/gmane.music.idm/46383 <pre>*Conversation with Jonny Trunk on his sound collection * Link: http://bit.ly/KhNsK8 PDF: http://bit.ly/JTjEXg This is a conversation by email with record collector Jonny Trunk, which took place on April-May 2012, to prepare a monograph on his library music collection. Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a cult following as a result of its specialisation in unpublished jazz recordings and film and television soundtracks. Trunk Records was the first label to feature non-commercial library music, a genre that Trunk has written about extensively. Trunk hosts a radio programme at London radio station Resonance FM, and he regularly DJs around the world. He began collecting records around 1982, but rather than focusing on traditional record stores, he chose to comb second hand outlets and street markets. It didn’t take long for him to realise that his obsession was not pop music or modern sounds, but film soundtracks and television music. His record collection now consists of</pre> Radio Web MACBA 2012-05-17T12:39:16 Search the mailing list at Gmane query http://search.gmane.org/?group=$group=gmane.music.idm